Skip to main content

万変不驚 Banpen Fugyo: Emptiness in the Midst of Constant Change

Infinite Dots - elevator ceiling, Fujisawa. photo by randomidea
You may have heard about 万変不驚 Banpen Fugyo and how it has emerged to be part of this year's theme along with Kihon Happo. This arose partially because of the earthquake and other events in Japan, but this is also how Hatsumi Sensei seems to explore every year. Soke says,
"To be able to survive and live in the midst of this constant change, it is important to comprehend that which is the essence. To this end, I believe it is important to vary this theme of change every year."
Maybe you have a teacher who reminds you of 万変不驚 Banpen Fugyo all the time. You get the idea of "Ten thousand changes, No surprises", but how to put it into practice?

There is a poem from the 22nd Buddhist Master 摩拏羅:Manorhita,

心隨萬境轉 the mind follows the ten thousand circumstances and shifts accordingly;
轉處實能幽 It is the shifting that is truly undefined.
隨流認得性 Follow the current and recognize your nature;
無喜復無憂 No rejoicing, no sorrow.

How do you recognize your nature and what is it exactly? Manorhita asked one of his teachers this:
“What is the original nature of mind?” Vasubandhu answered, “It is the emptiness of the six sense bases, the six objects and the six kinds of consciousness.” And hearing this, Manorhita was awakened.
The six sense bases are seeing, hearing, tasting, touching, and so on. The six objects are forms, sense, sounds, and so on. The six consciousnesses are the acts of hearing, seeing, tasting, touching, and so on.

What does it mean for these to be empty? This word emptiness in sanskrit is Śūnyatā. It can also be translated as void, or relative or contingent. Roshi Gerry Wick describes it this way:
"Śūnyatā is really a wonderful, tender, limitless embrace. It’s always complete. It is without having to strive, without having to not strive. Another implication of emptiness is empty of any fixed position or state of being."
While this is an important lesson for life, the ten thousand changes in combat are the actions and strategies of your opponent. If you pay attention to every punch, kick or technique, your mind gets taken and trapped in following each thing. The same trapped mind occurs when you focus on performing your own technique or style. You will be surprised when something unexpected happens. This will lead to your defeat.

If instead you allow the mind to dwell in emptiness, for example - looking at the opponent's eyes but not focusing on them (some suggest looking at the spot where the lapels of the gi cross) - you will react naturally as the situation dictates. Anything your opponent manifests will just appear to be part of the natural flow and not surprising.

By paying attention to the non existent, you will be able to see the existent quite well.

Comments

Popular posts from this blog

Ride the Tiger: Japan Report Seven 令和6年

Michael tries cola flavor Ninja gummies, a gift from 中川将志 Nakagawa Shōshi I went out to do some laundry and grocery shopping before training. Along the way, I stopped in at the bookstore to find some inspiration from Hatsumi Sensei’s painting. As I flipped through the pages, my eyes settled on a painting of 毘沙門天 Bishamonten riding a tiger. Support my work and watch the FULL video: https://www.rojodojo.com/ride-the-tiger-japan-report-seven-reiwa6/  Hatsumi Sensei gave the painting the title of 坂上 田村麻呂 Sakanoue no Tamuramaro. This historic figure was one of the first Shōgun in Japan. Legends around him grew over the centuries and he was considered an avatar of Bishamonten, a god of war, and warrior king. Hatsumi Sensei wrote some poetry from 虎倒流 Kotō Ryū on the painting. Soke said that when he visited Takamatsu Sensei, Takamatsu recited this poetry to him. The poem extols the virtues of a figure like Sakanoue, but I suspect Takamatsu Sensei was also honoring Hatsumi as h...

Ninja Morality of Kogarashi Monjiro

This time of year is often spent helping, giving or thinking of others.  There are many people who misinterpret the life of a ninja as one of a solitary, dark and shadowy existence.  A lone wolf sneaking in and out of other's lives to accomplish some mission. Sensei suggests to us that this is not a healthy view.  He says that it is an ideal to have others depend on you.  People think they are too busy to help others, but if you decide to ignore everyone else, trusting only yourself, you will soon become one of the busiest of all men.  He continues, To give a helping hand to poor people and to want to save them is the humanity of Japanese, and of a warrior's heart. Hatsumi mentions the character Kogarashi Monjiro from the novel and 1970's TV series set in the Edo period, originally written by Saho Sasazawa. Acted by famous samurai actor Atsuo Nokamura.  Monjiro lived the wandering life of a gambler.  He had a nihilistic attitude and sought to ...

The Kaname of 神眼 Shingan

真是厲害的鏡頭 photo By *嘟嘟嘟* Hatsumi Sensei has suggested that another reading of 神眼 shingan is kaname. As we study this years feeling it might become important to see with the divine eyes of shingan. To truly comprehend this principle requires we understand how to connect to the divine. In my recent video about 不動座 fudouza , I suggested some symbolism that connected the heavens, down through the conduit of our physical bodies, and into the earth. The way Hatsumi Sensei describes this connection, it's not him doing the techniques, but they are being created through this connection. No matter your beliefs or religion, it is crucial to understand the foundations of Japanese symbolism to get the feelings behind our art. Hatsumi Sensei says that one way to learn this is through Sanshin no kata that is connected to the heavens. It is connected through heaven, earth, and man (tenchijin). He further describes this as  天動説 tendousetsu, 地動説 chidousetsu, and 人動説 jindousetsu. 天動説 tendousetsu is...