Skip to main content

To Bujinkan Teachers: Stop Teaching!

Running classes is an interesting lesson for me. From the beginning my goal for having classes was to further my own training. It was never a selfless act of giving or sharing. And because of that goal, I work on things in class that I want to learn.


Seems selfish. But what I have discovered is that is really all that can be done. I believe you can't really teach Bujinkan. It can be felt, experienced, and lived. But each student must discover it for themselves. Ultimately we are all responsible for our own training.

One Friday night at Hombu, Hatsumi Sensei suggested that teachers should be discovering as they teach, learning and teaching at the same time. I am pretty sure that's what he has done all these years. It certainly shows in the freshness and vitality he brings to every class.

In that same class, Soke also said that if we train with him, we are walking beside and in parallel with him. If not we fall into a hole. That is a path of discovery. The hole is the ego and the belief that you have accomplished something.

So I don't feel guilty about not teaching the students who train with me. Instead I invite them to join me on the journey. The gift of discovery is one of the most selfless things Soke has given us. I hope I can be that example for someone else someday.

- Posted using BlogPress from my iPhone

Comments

  1. Very inspiring. Thank you for sharing your view on (not) teaching! I am not yet a Bujinkan instructor, but once I will be, I'll keep these wise words in my mind.


    Claude Samson

    ReplyDelete

Post a Comment

Popular posts from this blog

Ride the Tiger: Japan Report Seven 令和6年

Michael tries cola flavor Ninja gummies, a gift from 中川将志 Nakagawa Shōshi I went out to do some laundry and grocery shopping before training. Along the way, I stopped in at the bookstore to find some inspiration from Hatsumi Sensei’s painting. As I flipped through the pages, my eyes settled on a painting of 毘沙門天 Bishamonten riding a tiger. Support my work and watch the FULL video: https://www.rojodojo.com/ride-the-tiger-japan-report-seven-reiwa6/  Hatsumi Sensei gave the painting the title of 坂上 田村麻呂 Sakanoue no Tamuramaro. This historic figure was one of the first Shōgun in Japan. Legends around him grew over the centuries and he was considered an avatar of Bishamonten, a god of war, and warrior king. Hatsumi Sensei wrote some poetry from 虎倒流 Kotō Ryū on the painting. Soke said that when he visited Takamatsu Sensei, Takamatsu recited this poetry to him. The poem extols the virtues of a figure like Sakanoue, but I suspect Takamatsu Sensei was also honoring Hatsumi as h...

Ninja Morality of Kogarashi Monjiro

This time of year is often spent helping, giving or thinking of others.  There are many people who misinterpret the life of a ninja as one of a solitary, dark and shadowy existence.  A lone wolf sneaking in and out of other's lives to accomplish some mission. Sensei suggests to us that this is not a healthy view.  He says that it is an ideal to have others depend on you.  People think they are too busy to help others, but if you decide to ignore everyone else, trusting only yourself, you will soon become one of the busiest of all men.  He continues, To give a helping hand to poor people and to want to save them is the humanity of Japanese, and of a warrior's heart. Hatsumi mentions the character Kogarashi Monjiro from the novel and 1970's TV series set in the Edo period, originally written by Saho Sasazawa. Acted by famous samurai actor Atsuo Nokamura.  Monjiro lived the wandering life of a gambler.  He had a nihilistic attitude and sought to ...

The Kaname of 神眼 Shingan

真是厲害的鏡頭 photo By *嘟嘟嘟* Hatsumi Sensei has suggested that another reading of 神眼 shingan is kaname. As we study this years feeling it might become important to see with the divine eyes of shingan. To truly comprehend this principle requires we understand how to connect to the divine. In my recent video about 不動座 fudouza , I suggested some symbolism that connected the heavens, down through the conduit of our physical bodies, and into the earth. The way Hatsumi Sensei describes this connection, it's not him doing the techniques, but they are being created through this connection. No matter your beliefs or religion, it is crucial to understand the foundations of Japanese symbolism to get the feelings behind our art. Hatsumi Sensei says that one way to learn this is through Sanshin no kata that is connected to the heavens. It is connected through heaven, earth, and man (tenchijin). He further describes this as  天動説 tendousetsu, 地動説 chidousetsu, and 人動説 jindousetsu. 天動説 tendousetsu is...