Skip to main content

A Fistful of Nothing, or the Void of Koku.

Some of the best lessons of the Bujinkan lie in between techniques. Before the attack or after the battle. Or simply in the air between combatants.

In this space, this void, there exists everything and nothing. Both peace and conflict can arise. And anything in between.









虚空 Koku
If you don't find this idea in your training then you miss out on a great power in our art and in life.

Hatsumi Sensei gives us a roadmap to understand this in the following quote:

It is taught that the foundation of Budo is to first understand taijutsu, through which you can fight even if you have no weapons. This means to persevere in the martial ways (bufu ikkan), and to train consistently and with utmost effort. Then you will grasp the secrets of muto dori (no-sword technique). Succeeding in this, the mysteries of the secret sword (hiken) will be revealed, and no matter what weapon you hold, your heart and your taijutsu will dance skillfully in the void (koku).

While these ideas may seem esoteric or advanced, they have great practical application. If you dismiss them as something apart from the reality of training or combat then you miss a very large variable that can harm or protect you. The void doesn't take sides.

Paul Masse reminds me of this idea in his blog:

(妙術、実)あると思えば,ない. ないと思えば, ある。If you think there is something, there is really nothing. And when you think there is nothing, there is something.

Ignoring ideas about Ku in training can be the same as ignoring how to punch or kick. You need both. And nothing.

Soke continues to say:

Facing an opponent, armed with a sword, adapting to change (henka), hiding in the void (koku), accepting change, and acquiescing to the void - this is never about killing the opponent or benefiting from the aggression of your allies.


Comments

  1. There is only acceptance in budo (or not) and acceptance means death (hence the not).

    Don't let anyone get in the way of your experience of budo. Next time you visit, go up and punch at Soke.

    The rest will be up to you.

    ReplyDelete
  2. LOL and be sure to post the vid where we all can see it. When you wake up!

    ReplyDelete
  3. I'm sure you would love to see it, and I don't think you would be alone finding perverse pleasure in that. Maybe I should start taking orders for the DVD.

    ReplyDelete

Post a Comment

Popular posts from this blog

Ride the Tiger: Japan Report Seven 令和6年

Michael tries cola flavor Ninja gummies, a gift from 中川将志 Nakagawa Shōshi I went out to do some laundry and grocery shopping before training. Along the way, I stopped in at the bookstore to find some inspiration from Hatsumi Sensei’s painting. As I flipped through the pages, my eyes settled on a painting of 毘沙門天 Bishamonten riding a tiger. Support my work and watch the FULL video: https://www.rojodojo.com/ride-the-tiger-japan-report-seven-reiwa6/  Hatsumi Sensei gave the painting the title of 坂上 田村麻呂 Sakanoue no Tamuramaro. This historic figure was one of the first Shōgun in Japan. Legends around him grew over the centuries and he was considered an avatar of Bishamonten, a god of war, and warrior king. Hatsumi Sensei wrote some poetry from 虎倒流 Kotō Ryū on the painting. Soke said that when he visited Takamatsu Sensei, Takamatsu recited this poetry to him. The poem extols the virtues of a figure like Sakanoue, but I suspect Takamatsu Sensei was also honoring Hatsumi as h...

Japan Report Six 令和5年

I was invited to Furuta Sensei’s home dojo out in the countryside. He is very generous and picked us up from the train station. The only problem is that he plays a Lady Gaga CD on repeat during the drive. Furuta’s home dojo is very rustic with traditional tatami mats. He started training with ukemi and my cotton tabi really slid across the straw! His exploration of 基本八法 Kihon Happō is influenced by his study of 雲隠流 Kumogakure Ryū. As the next Soke of Kumogakure Ryū, he is hard at work learning and studying this school. And I feel lucky to be part of this journey every time I study with him. At one point he showed a detail of how to attack the 急所 kyūsho 血止 chidome and 血ダメ chidame. The name of this kyūsho means to stop the blood. Obviously this would incapacitate an opponent if you pull it off. But Furuta Sensei used a hooking strike into chidome to unbalance with one finger. The kyūsho becomes a 支点 shiten. The pressure creates a pivot or a fulcrum to affect the oppon...

Japan Report Seven 令和5年

I began the morning in a hurry because I had to get to the dojo early. My days in Japan are very busy. I run and gun to fit in all of the classes, recording my video reports in between. And I still have to find time for food, laundry, sleep, as well as tourism and shopping.  Today I planned three classes, Furuta Sensei, Nagase Sensei, and Noguchi Sensei. But I didn’t have time to review my notes until the next morning in a cafe. The coffee sure helped. The FULL video review can be found here: https://www.rojodojo.com/japan-report-seven-reiwa-five/ The first class was at the Bujinkan Honbu dojo with Furuta Sensei. We began class wearing a lot of knives. He said you should wear at least 9 knives. He didn’t mean that literally but the number 9 implies an infinite amount. So you have the ability to respond or attack infinitely. He kept hiding behind the attack of his opponents. I learned this approach from him a few years ago during our study of 雲隠流 Kumogakure Ryū in ...