Skip to main content

Kankaku 感覚: Can You Smell It?

One night in my hotel room in Kashiwa, I had a personal breakthrough. It was after one of Soke's Friday night classes at the Hombu dojo in Noda. I was in the habit of taking detailed notes after training. Tonight these notes were different.





Normally, when I put pen to paper, the details of the class line up across the pages of my notebook faster than my hand can scribble. All sorts of details: names of techniques and henka, where Soke had his left hand, what weapons he used, things he said, etc. Tonight I stared at the blank page in a daze and wrote:

"Where to begin?

Holding without holding.
Striking without striking.
Technique without technique.

Accident turns to fortune.

Slipping - blending.
Letting opponent defeat themselves."

That was it? Vague ideas to be sure. These notes would probably be useless to anyone but me. But when I read them, they do trigger feelings from that night.

Sometimes in training I am left scratching my head. No matter how hard I try, or how intently I observe, I cannot repeat what Hatsumi Sensei has just shown us. I guess that's to be expected. Soke often states that he wants us to just get the feeling of his movement.

This is the idea of Kankaku
感覚【かんかく】
(n,vs) sense; sensation; feeling; intuition. Soke has many ways of expressing this. One time I heard him say that we might just notice the scent of it. It was a way of suggesting that the feeling was subtle and ephemeral and could pass by on a breeze. In my case, maybe I was passing a strong odor.

Another time, Hatsumi Sensei suggested that there was a strange wind blowing through the world. He said we should try to incorporate the mood of that wind into our movement. I don't know whether I can be that connected in training to invite the whole world into my movement, but I can at least open up to the feeling in the dojo. That is a start.


- Posted using BlogPress from my iPhone

Comments

Popular posts from this blog

Ride the Tiger: Japan Report Seven 令和6年

Michael tries cola flavor Ninja gummies, a gift from 中川将志 Nakagawa Shōshi I went out to do some laundry and grocery shopping before training. Along the way, I stopped in at the bookstore to find some inspiration from Hatsumi Sensei’s painting. As I flipped through the pages, my eyes settled on a painting of 毘沙門天 Bishamonten riding a tiger. Support my work and watch the FULL video: https://www.rojodojo.com/ride-the-tiger-japan-report-seven-reiwa6/  Hatsumi Sensei gave the painting the title of 坂上 田村麻呂 Sakanoue no Tamuramaro. This historic figure was one of the first Shōgun in Japan. Legends around him grew over the centuries and he was considered an avatar of Bishamonten, a god of war, and warrior king. Hatsumi Sensei wrote some poetry from 虎倒流 Kotō Ryū on the painting. Soke said that when he visited Takamatsu Sensei, Takamatsu recited this poetry to him. The poem extols the virtues of a figure like Sakanoue, but I suspect Takamatsu Sensei was also honoring Hatsumi as h...

Japan Report Six 令和5年

I was invited to Furuta Sensei’s home dojo out in the countryside. He is very generous and picked us up from the train station. The only problem is that he plays a Lady Gaga CD on repeat during the drive. Furuta’s home dojo is very rustic with traditional tatami mats. He started training with ukemi and my cotton tabi really slid across the straw! His exploration of 基本八法 Kihon Happō is influenced by his study of 雲隠流 Kumogakure Ryū. As the next Soke of Kumogakure Ryū, he is hard at work learning and studying this school. And I feel lucky to be part of this journey every time I study with him. At one point he showed a detail of how to attack the 急所 kyūsho 血止 chidome and 血ダメ chidame. The name of this kyūsho means to stop the blood. Obviously this would incapacitate an opponent if you pull it off. But Furuta Sensei used a hooking strike into chidome to unbalance with one finger. The kyūsho becomes a 支点 shiten. The pressure creates a pivot or a fulcrum to affect the oppon...

Japan Report Seven 令和5年

I began the morning in a hurry because I had to get to the dojo early. My days in Japan are very busy. I run and gun to fit in all of the classes, recording my video reports in between. And I still have to find time for food, laundry, sleep, as well as tourism and shopping.  Today I planned three classes, Furuta Sensei, Nagase Sensei, and Noguchi Sensei. But I didn’t have time to review my notes until the next morning in a cafe. The coffee sure helped. The FULL video review can be found here: https://www.rojodojo.com/japan-report-seven-reiwa-five/ The first class was at the Bujinkan Honbu dojo with Furuta Sensei. We began class wearing a lot of knives. He said you should wear at least 9 knives. He didn’t mean that literally but the number 9 implies an infinite amount. So you have the ability to respond or attack infinitely. He kept hiding behind the attack of his opponents. I learned this approach from him a few years ago during our study of 雲隠流 Kumogakure Ryū in ...