How Can You Learn Shinobi Secrets?

Do you think you have a grasp on this art? Have you done all the kata in the Tenchijin Ryaku no Maki? Maybe you have memorized all the (known) kata from our 9 Bujinkan ryuha. Maybe you have even mastered the Togakure-ryu Juhakkei - the 18 forms of the shinobi (is that even possible in the modern era?). How long have you been training? 3 years? 10? how about 20? Do I hear 30? I know someone with over 40 years in this art and he is still learning new material.

Don't miss the train by not showing up.

Recently, I was at a seminar with my teacher, Peter Crocoll. I was considering leaving early because I had a 9 hour drive back home. I brought this up to him, and he said, "you can leave if you want, but what I'm about to show has never been shown in North America." I stayed. And it was worth it.

I almost missed training with Peter again this month. It literally was a coin flip whether I made the trip. Somehow I pulled it together. And guess what? He showed material I had never seen before.

Soke says that he intends to live by the words he heard from his teacher Takamatsu Sensei, "However much I study, it is never enough."

I started training in this art in 1988 (officially). In all these years, there have been many occasions where I was shown something very interesting and important, and then I never saw it again. Never in Japan, never at a seminar, never in regular classes, and never in a book or on video.

Our art runs deep. Many of the skills in our training could be a lifetime of study all by themselves. It took many lifetimes and the lives of many warriors to develop this art. So it is unwise for me to think that my 22 years mean very much.

I was training at one of Hatsumi Sensei's Tai Kai, and Oguri Sensei was there. Soke showed something and Oguri got a funny look on his face. Hatsumi Sensei noticed this and asked Oguri to share his thoughts. Oguri said that he had been training over 40 years and this was the first time he had ever experienced this.

This makes me wonder what I miss when I don't make it to class. Anytime I start to think about missing a trip to Japan, or going to a seminar, I think to myself, "what if I miss that hidden secret in our art that will make a big difference in my own training?" And then I am very motivated to go to class. The simple truth is, I am always happy when I go to class, and missing class just feels empty.

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Japan Report One 令和5年

Every Bujinkan trip I make to Japan feels like a gift. And I always share that with you all in my Japan reports. This trip, I decided to video a lot. Like every day. So there will be quite a few of these. The only issue is that it takes me time to edit all of this video, so these Japan reports may spread out into next year. The first video is here: Japan Report One 令和5年 The first day of any Bujinkan trip to Japan starts with a marathon. 20 hours of travel by Plane train, and automobile. Also, a lot of walking with a heavy backpack up and down stairs, through airports and train stations, and of course to the Honbu Dojo! Because I’m crazy, I arrived at the airport and went straight to Noguchi Sensei’s class. The class was smallish, maybe 20 people. I was a little shaky on my feet so I slammed some milk tea to get my energy back up. I partnered with Mario From Croatia. Noguchi began with 中伝之捌型 Chūden no Sabaki Gata from 高木揚心流 Takagi Yoshin Ryū. He put a lot of focus into what the opposit

Japan Report Three 令和5年

Last night Paul Masse invited me and my teacher Peter over to his house in Noda-shi. While we were in the backyard swapping stories, his wife Tomoe invited us inside to a warm dinner of ちゃんこ鍋 chankonabe. She and Paul are very friendly and generous. Paul asked Peter what he found at the antique weapons market. Peter said that he was looking for 矢の根 yanone, which are arrowheads. He also said he bought a tsuba with a giant centipede on it. Paul was curious about this so Peter told us the story behind it. He told us 俵藤太物語 Tawara Tōda monogatari, the legend of Tawara Tōda. I share my version of the story on the video so if you'd like to watch the full video report, you can find it here: https://www.rojodojo.com/japan-report-three-reiwa5/ . But the short of it is that Tawara Tōda killed a giant centipede with a well aimed arrow. We had a wonderful time over dinner while swapping stories. Paul’s young boys were full of energy and were running around like crazy people. Danzo thou

Bujinkan Daikomyosai Party and Training Themes from Japan

What are the current Bujinkan Themes? For my second week of Japan training, I begin with a visit to 上野東照宮 Ueno Tōshōgū. This shrine was built in 1627, and enshrines Tokugawa Ieyasu. I have visited many times, but they did an extensive remodel a few years ago. This was my first time going beyond the 唐門 Karamon and into the grounds. The entire 本殿 Honden is covered in gold leaf and looks spectacular with the gingko leaves fluttering down around me. Michael Glenn at 上野東照宮 Ueno Tōshōgū Later that night, I arrived a bit early for Nagase Sensei’s class. He had moved the class time back 45 minutes so I took the opportunity to review my notes from the prior class. He has been working with 十方折衝 juppō sesshō and the directions for 天地人 Tenchijin and the sanshin within it. He described many aspects of Tenchijin. He would control his opponent at three points, high, middle, and low. He told us the Ten direction is 天照大御神 Amaterasu ōmikami. The Chi direction is 国常立尊 Kunitokotachi no mi

Bujinkan Santa Monica

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