Skip to main content

Bujinkan Nidan 弐段: Discovering the Footprints

Discovering the Footprints, digital c-print photograph by Andrew Binkley
In the first post of this series, Bujinkan Shodan 初段: Searching for the Bull, I mentioned that Hatsumi Sensei describes the journey of a Bujinkan student through the Dan ranks as being akin to the Ten Oxherding pictures in Zen Buddhism. These pictures describe the seeker's journey to enlightenment.

So what does it mean to be 弐段 Nidan?

Discovering Footprints 见迹:
Woodblock print by 德力富吉郎 Tokuriki Tomikichirō
Along the riverbank under the trees,
I discover footprints.
Even under the fragrant grass,
I see his prints.
Deep in remote mountains they are found.
These traces can no more be hidden
than one's nose, looking heavenward.
This stage of training is very interesting because your eyes become open to signs everywhere. You spend as much effort in observing as you do training. You are developing the eyes to see the traces, or footprints of our art.

You begin to recognize these traces in all sorts of people and situations. You will see many previously hidden connections between kata. One technique naturally suggests another leading to 変化 henka. These kata or forms all contain the same traces.
"form is emptiness, emptiness is form."
Depending on your personality, there are two dangers: One is getting lost in the enjoyment of these 変化 henka. Another is becoming what Hatsumi Sensei calls a "technique collector."

If you are thoughtful, you notice that all of these footprints were here all along but you never noticed them before. You might wonder what else is also lying around beneath your feet that you are yet unable to see. As Hatsumi Sensei often says, "enlightenment is beneath your feet."

All of the kata begin to blend together until they seem the same. You start to connect intellectually to the idea that form is emptiness. Even though your own taijutsu rarely shows that.

Because you are finally seeing these things, and with every class you see more, you begin to feel that training more and training harder will certainly pay off. You train with new conviction that with more effort will come more results.

But this stage is also marked by an overwhelming realization that there is so much material to learn. The more you discover, the more there is. While this discovery is fun, it can also be intimidating.

And more than that, the harder you search, the more you pursue the Ox, the further away it runs. The harder you train the more the essence of the Bujinkan may elude you.

The poem above says that the "traces can no more be hidden than one's nose, looking heavenward." This suggests that the footprints if followed to their source will lead back to yourself. The 極意 gokui or essence of training can be discovered here.

Being a Nidan you will sense this, but not yet experience the 極意 Gokui directly.

In the next post we will look at Bujinkan Sandan参段: Perceiving the Bull

Comments

Popular posts from this blog

Behind the Black Gate: Japan Report Eight 令和6年

  黒門 Kuromon: the Black Gate This morning I made my way into Tokyo to visit the 黒門 kuromon, or black gate. This was one of the few structures from 寛永寺 Kan’ei-ji that survived the battle of Ueno (上野戦争, Ueno Sensō). During the Boshin War (戊辰戦争, Boshin Sensō), and the gate marked the spot where the 彰義隊 Shōgitai lost a decisive battle against the Imperial troops. Today it is riddled with bullet holes and cannon scars. The Shōgitai were the last of the Tokugawa Samurai. They had swords, arrows, and spears. But they were no match for the 官軍 kangun, the Imperial army led by 西郷 隆盛 Saigō Takamori, who used Snider rifles and Armstrong Cannons. 黒門の半分見へて春の雨 the Black Gate is only half visible – rain in spring 〜Kobayashi Issa, 1805 My visit to the black gate was marked by the gentle fall of Ginkgo leaves. A quiet peaceful morning helped me reflect on such a fierce battle. Maybe one of the reasons I am allowed to be here was because of this war which led to the end of the Tokugawa ...

Secrets of 三つ鱗 Mitsu Uroko

三つ鱗 Mitsu Uroko photo by Michael Glenn Since I am a ninja, I am part of a secret society. Secret societies are fun to learn about. One of the most obvious ways into a secret society is through its symbols. I recently stumbled across one mysterious symbol called 三つ鱗 Mitsu Uroko in a place I didn't expect to find it. You have probably seen this symbol. For Legend of Zelda fans it is known as the Triforce. But you may not know that the creator of this game, Miyamoto Shigeru, took much of his inspiration from the mountains and temples of Kyoto. And if you travel around Japan, you will encounter this symbol yourself. What does it mean? And why should anyone in the Bujinkan care? Let me explain. The origin story of this symbol is tied with one of the most powerful Shogun and clans in Japanese history. As told in the Taiheiki 太平記, Hojo Tokimasa went on a pilgrimage of fasting and prayer to the island of Enoshima. While he was in one of the Iwaya Caves, the Goddess Benzaiten ap...

Kage No Keiko: Don't Ask a Shadow for Answers

Photo by OiMax There is an old tale about a teacher whose students asked him, "Where does your teaching come from?  What is its source?  Who is your teacher?" The teacher replies, You are not ready for my answer.  If I say that my teaching is from inspiration, you will consider me crazy.  If I say it is my own teaching and skill, some will worship me and never learn.  If I name my teacher, many will turn to him to ask the same dumb questions while ignoring real study. In the Bujinkan, Hatsumi Sensei has told us that training is a process of developing the eyes to be able to see true budo. Hatsumi Sensei talks about different types of keiko or training, even in dreams.  He says that when he is training intensely, he will have weird dreams.  He tells this story about his teacher Toshitsugu Takamatsu, He would draw from 5:00 a.m. to noon every day.  One day, he painted a picture of a dragon for his friend.  A few nights later, my teacher...