Skip to main content

Bujinkan Rokudan 六段: Riding the Bull Home

Riding the Ox Home, digital c-print photograph by Andrew Binkley
Hatsumi Sensei describes the journey of a Bujinkan student through the Dan ranks as being akin to the Ten Oxherding pictures in Zen Buddhism. These pictures describe the seekers journey to enlightenment.

If you haven't read my other posts in this series, please check them out. You may find them useful no matter what your rank is:

Bujinkan Shodan 初段: Searching for the Bull
Bujinkan Nidan 弐段: Discovering the Footprints
Bujinkan Sandan 参段: Perceiving the Bull
Bujinkan Yondan 四段: Catching the Bull
Bujinkan Godan 五段: Taming the Bull

Passing beyond Godan brings us to a place of creative play. The Bull (mind) obeys without searching about and we don't need to work to constrain it anymore.
Woodblock print by 德力富吉郎 Tokuriki Tomikichirō

骑牛归家 Riding the Bull Home
Mounting the bull, slowly
I return homeward.

The voice of my flute intones
through the evening.
Measuring with hand-beats
the pulsating harmony,
I direct the endless rhythm.

Whoever hears this melody
will join me.

Sensei says that "When you pass the Godan test, then you realize 無意識 muishiki." This is moving from the unconscious. Once this seed is planted there is nothing to do except allow this state of muishiki to grow. There is no longer any question of trying to prove anything in relation to your rank.

When people first pass Godan, sometimes they continue searching for something in themselves. Some kind of change in ability or looking for more in training and wondering, is this all? At this stage the search comes to rest. The wall between unenlightened/enlightened, strong/weak, soft/hard, good/bad, and win/loss disappears so training follows its own course.

Unhindered, free taijutsu without any blocks.

Here is a trap. You become so free and comfortable and relaxed with training that improvement stops. This is like the middle age of training. People just settle in and enjoy, comfortable in rank and ability. But the real, true polishing of the heart is yet to occur.

Hatsumi Sensei says,
"Just because someone has been training for 40 or 50 years, it doesn't mean anything. Even for myself, no matter how long I've been training.. it's nothing special. I'm still walking along behind Takamatsu Sensei. That's what the tradition means."
Riding the ox home. Where is this home? And why are we not there yet? One experience of home is to be back where it all started, as a beginner. Beginner's mind as they say. Going full circle. We are not there yet because our self is still busy admiring it's own reflection in training or technique. We are not yet able to do taijutsu without observing ourselves in the experience.

Sometimes, like watching the sunset, or listening to the flute, we become nostalgic for the "old" days of training. We tell many stories to junior students about how training used to be. We miss those times.

But every note resonates with us, calling us back to pure training without thought or technique. We can experience the muishiki of the moment of godan anytime in the dojo. And this is like our compass, marking the path ahead.

Here whether we are teaching others, or being taught, we move beyond words and concepts. We can learn so much from a glance of our instructor. Or, a lesson becomes self evident so that when we show a technique, nothing needs to be said.

Hatsumi Sensei uses the word 暗黙的 anmokuteki, which is an implicit teaching. This is a silent, sometimes secret teaching that arises from a natural understanding between teacher and student. The only reason this teaching stays a secret is because the communication is on a level that not everyone is prepared to observe.

We should also teach ourselves in this manner. Then the Ox doesn't need to be led. He knows the way.

Next in this series: Bujinkan Nanadan 七段: The Bull Transcended

Comments

Popular posts from this blog

Japan Report One 令和5年

Every Bujinkan trip I make to Japan feels like a gift. And I always share that with you all in my Japan reports. This trip, I decided to video a lot. Like every day. So there will be quite a few of these. The only issue is that it takes me time to edit all of this video, so these Japan reports may spread out into next year. The first video is here:  Japan Report One 令和5年 The first day of any Bujinkan trip to Japan starts with a marathon. 20 hours of travel by Plane train, and automobile. Also, a lot of walking with a heavy backpack up and down stairs, through airports and train stations, and of course to the Honbu Dojo! Because I’m crazy, I arrived at the airport and went straight to Noguchi Sensei’s class. The class was smallish, maybe 20 people. I was a little shaky on my feet so I slammed some milk tea to get my energy back up. I partnered with Mario From Croatia. Noguchi began with 中伝之捌型 Chūden no Sabaki Gata from 高木揚心流 Takagi Yoshin Ryū. He put a lot of focus into what the opp...

Japan Report Three 令和5年

Last night Paul Masse invited me and my teacher Peter over to his house in Noda-shi. While we were in the backyard swapping stories, his wife Tomoe invited us inside to a warm dinner of ちゃんこ鍋 chankonabe. She and Paul are very friendly and generous. Paul asked Peter what he found at the antique weapons market. Peter said that he was looking for 矢の根 yanone, which are arrowheads. He also said he bought a tsuba with a giant centipede on it. Paul was curious about this so Peter told us the story behind it. He told us 俵藤太物語 Tawara Tōda monogatari, the legend of Tawara Tōda. I share my version of the story on the video so if you'd like to watch the full video report, you can find it here: https://www.rojodojo.com/japan-report-three-reiwa5/ . But the short of it is that Tawara Tōda killed a giant centipede with a well aimed arrow. We had a wonderful time over dinner while swapping stories. Paul’s young boys were full of energy and were running around like crazy people. Danzo thou...

Japan Report Four 令和5年

I start off my Japan Report Four video going to Hatsumi Sensei’s house and the Bujinkan Honbu office. I do this on every trip because this is how I submit my rank paperwork for my students. In the video I talk about my “secret” route to his house. I also recall past times when I could just visit and have tea with Soke. During my walk to his house, I review some of my notes from old classes with Soke. During one class he said 自分の第六感兼ねあいうち Jibun no dairokkan kane aiuchi. This is when you make your intuition match reality. Or, more directly, your intuition is combined with something concrete such as a strike. Later in that same class, Hatsumi Sensei said 意識をさせない Ishiki o Sasenai. He was telling us not to allow our opponents to sense our intentions. Don’t put out any intention for your opponent to read. I thought it was fascinating to think about dairokkan and the use of intuition while also hiding your intentions. Hatsumi Sensei’s classes were full of subtle lessons lik...