Skip to main content

Bujinkan Rokudan 六段: Riding the Bull Home

Riding the Ox Home, digital c-print photograph by Andrew Binkley
Hatsumi Sensei describes the journey of a Bujinkan student through the Dan ranks as being akin to the Ten Oxherding pictures in Zen Buddhism. These pictures describe the seekers journey to enlightenment.

If you haven't read my other posts in this series, please check them out. You may find them useful no matter what your rank is:

Bujinkan Shodan 初段: Searching for the Bull
Bujinkan Nidan 弐段: Discovering the Footprints
Bujinkan Sandan 参段: Perceiving the Bull
Bujinkan Yondan 四段: Catching the Bull
Bujinkan Godan 五段: Taming the Bull

Passing beyond Godan brings us to a place of creative play. The Bull (mind) obeys without searching about and we don't need to work to constrain it anymore.
Woodblock print by 德力富吉郎 Tokuriki Tomikichirō

骑牛归家 Riding the Bull Home
Mounting the bull, slowly
I return homeward.

The voice of my flute intones
through the evening.
Measuring with hand-beats
the pulsating harmony,
I direct the endless rhythm.

Whoever hears this melody
will join me.

Sensei says that "When you pass the Godan test, then you realize 無意識 muishiki." This is moving from the unconscious. Once this seed is planted there is nothing to do except allow this state of muishiki to grow. There is no longer any question of trying to prove anything in relation to your rank.

When people first pass Godan, sometimes they continue searching for something in themselves. Some kind of change in ability or looking for more in training and wondering, is this all? At this stage the search comes to rest. The wall between unenlightened/enlightened, strong/weak, soft/hard, good/bad, and win/loss disappears so training follows its own course.

Unhindered, free taijutsu without any blocks.

Here is a trap. You become so free and comfortable and relaxed with training that improvement stops. This is like the middle age of training. People just settle in and enjoy, comfortable in rank and ability. But the real, true polishing of the heart is yet to occur.

Hatsumi Sensei says,
"Just because someone has been training for 40 or 50 years, it doesn't mean anything. Even for myself, no matter how long I've been training.. it's nothing special. I'm still walking along behind Takamatsu Sensei. That's what the tradition means."
Riding the ox home. Where is this home? And why are we not there yet? One experience of home is to be back where it all started, as a beginner. Beginner's mind as they say. Going full circle. We are not there yet because our self is still busy admiring it's own reflection in training or technique. We are not yet able to do taijutsu without observing ourselves in the experience.

Sometimes, like watching the sunset, or listening to the flute, we become nostalgic for the "old" days of training. We tell many stories to junior students about how training used to be. We miss those times.

But every note resonates with us, calling us back to pure training without thought or technique. We can experience the muishiki of the moment of godan anytime in the dojo. And this is like our compass, marking the path ahead.

Here whether we are teaching others, or being taught, we move beyond words and concepts. We can learn so much from a glance of our instructor. Or, a lesson becomes self evident so that when we show a technique, nothing needs to be said.

Hatsumi Sensei uses the word 暗黙的 anmokuteki, which is an implicit teaching. This is a silent, sometimes secret teaching that arises from a natural understanding between teacher and student. The only reason this teaching stays a secret is because the communication is on a level that not everyone is prepared to observe.

We should also teach ourselves in this manner. Then the Ox doesn't need to be led. He knows the way.

Next in this series: Bujinkan Nanadan 七段: The Bull Transcended

Comments

Popular posts from this blog

Ride the Tiger: Japan Report Seven 令和6年

Michael tries cola flavor Ninja gummies, a gift from 中川将志 Nakagawa Shōshi I went out to do some laundry and grocery shopping before training. Along the way, I stopped in at the bookstore to find some inspiration from Hatsumi Sensei’s painting. As I flipped through the pages, my eyes settled on a painting of 毘沙門天 Bishamonten riding a tiger. Support my work and watch the FULL video: https://www.rojodojo.com/ride-the-tiger-japan-report-seven-reiwa6/  Hatsumi Sensei gave the painting the title of 坂上 田村麻呂 Sakanoue no Tamuramaro. This historic figure was one of the first Shōgun in Japan. Legends around him grew over the centuries and he was considered an avatar of Bishamonten, a god of war, and warrior king. Hatsumi Sensei wrote some poetry from 虎倒流 Kotō Ryū on the painting. Soke said that when he visited Takamatsu Sensei, Takamatsu recited this poetry to him. The poem extols the virtues of a figure like Sakanoue, but I suspect Takamatsu Sensei was also honoring Hatsumi as h...

Japan Report Six 令和5年

I was invited to Furuta Sensei’s home dojo out in the countryside. He is very generous and picked us up from the train station. The only problem is that he plays a Lady Gaga CD on repeat during the drive. Furuta’s home dojo is very rustic with traditional tatami mats. He started training with ukemi and my cotton tabi really slid across the straw! His exploration of 基本八法 Kihon Happō is influenced by his study of 雲隠流 Kumogakure Ryū. As the next Soke of Kumogakure Ryū, he is hard at work learning and studying this school. And I feel lucky to be part of this journey every time I study with him. At one point he showed a detail of how to attack the 急所 kyūsho 血止 chidome and 血ダメ chidame. The name of this kyūsho means to stop the blood. Obviously this would incapacitate an opponent if you pull it off. But Furuta Sensei used a hooking strike into chidome to unbalance with one finger. The kyūsho becomes a 支点 shiten. The pressure creates a pivot or a fulcrum to affect the oppon...

Behind the Black Gate: Japan Report Eight 令和6年

  黒門 Kuromon: the Black Gate This morning I made my way into Tokyo to visit the 黒門 kuromon, or black gate. This was one of the few structures from 寛永寺 Kan’ei-ji that survived the battle of Ueno (上野戦争, Ueno Sensō). During the Boshin War (戊辰戦争, Boshin Sensō), and the gate marked the spot where the 彰義隊 Shōgitai lost a decisive battle against the Imperial troops. Today it is riddled with bullet holes and cannon scars. The Shōgitai were the last of the Tokugawa Samurai. They had swords, arrows, and spears. But they were no match for the 官軍 kangun, the Imperial army led by 西郷 隆盛 Saigō Takamori, who used Snider rifles and Armstrong Cannons. 黒門の半分見へて春の雨 the Black Gate is only half visible – rain in spring 〜Kobayashi Issa, 1805 My visit to the black gate was marked by the gentle fall of Ginkgo leaves. A quiet peaceful morning helped me reflect on such a fierce battle. Maybe one of the reasons I am allowed to be here was because of this war which led to the end of the Tokugawa ...