Skip to main content

The Rise of 生物奇怪 Seibutsu Kikai

When Stunts Go Wrong, photo by Loco Steve
In our modern world, combat has evolved to an industrial and mechanical affair. Machines (機械  kikai) do the killing at a distance. For martial artists this can feel overwhelming or outside the scope of our training at a very human scale. But the Bujinkan also evolves with the times. Even though we study ancient weapons and arts, we must also keep our training alive to address modern concerns.

I was reading this humorous article about not being afraid of the robot apocalypse or of being destroyed by terminator robots: What if there was a robot apocalypse?

In this article the author explains how difficult it is for robots or computers to adapt. How easily they can be defeated by simple, and often natural methods or elements. For example, a fire hose turned on most robots will quickly end their rampage. Or a simple fishing net thrown over a robot would easily entangle its mechanics. Anything messy, really. Tar, mud, water, rubble, contaminated fuel… robots and computers are easily overwhelmed by the natural world.

The main reason drones have been so effective in combat is because they have human pilots, and they fly high above, and away from obstacles.

Reading about this reminded me of something Hatsumi Sensei has encouraged in our training. How may we address these types of warfare in the Bujinkan? I will not post any direct methods here, but Hatsumi Sensei has suggested a strategy for the future.

He suggests we should adopt a philosophy of seibutsu kikai (生物奇怪論に立って). A "living mysterious being theory." This is similar to hijoushiki 非常識. An irrational absurdity. It is like something supernatural, but as an extension and connected to the natural.

Seibutsu kikai is also cryptozoology. In Japan there are tales of Hibagon, Tsuchinoko, Kusshii, Isshii, Kappa, various Yokai, Mikoshi-nyūdō, Nue, Kasha,  Noderabō, Yamao, Buruburu, Nekomata, Shuten Dōji, Yūrei, Shiryō, Yanari, and Tengu, These mythical creatures and spirits exist in our dreams and nightmares throughout human history. They all have special traits, powers, or abilities. But they are difficult to find or hunt down. Do they exist? Did ninja? How would you go about finding one?

You cannot. And therein lies an important strategy. As Soke suggests in a play on words, this is 機会 kikai, or a time of opportunity. Drones, robots, and computers rely heavily on sensors and digital information, but how does one digitize a ghost? How can a robot fight a mystery?

Keeping this mysterious connection alive in our training is essential for those who have progressed beyond Godan, but also essential for the survival of our art as machines move beyond service to being replacements for us in life and combat. A machine could pass the Godan test with the proper sensors, but it could never properly give the Godan test. It will never have that connection. And there it will always be weak.

Comments

Popular posts from this blog

Japan Report Seven 令和5年

I began the morning in a hurry because I had to get to the dojo early. My days in Japan are very busy. I run and gun to fit in all of the classes, recording my video reports in between. And I still have to find time for food, laundry, sleep, as well as tourism and shopping.  Today I planned three classes, Furuta Sensei, Nagase Sensei, and Noguchi Sensei. But I didn’t have time to review my notes until the next morning in a cafe. The coffee sure helped. The FULL video review can be found here: https://www.rojodojo.com/japan-report-seven-reiwa-five/ The first class was at the Bujinkan Honbu dojo with Furuta Sensei. We began class wearing a lot of knives. He said you should wear at least 9 knives. He didn’t mean that literally but the number 9 implies an infinite amount. So you have the ability to respond or attack infinitely. He kept hiding behind the attack of his opponents. I learned this approach from him a few years ago during our study of 雲隠流 Kumogakure Ryū in ...

Japan Report Six 令和5年

I was invited to Furuta Sensei’s home dojo out in the countryside. He is very generous and picked us up from the train station. The only problem is that he plays a Lady Gaga CD on repeat during the drive. Furuta’s home dojo is very rustic with traditional tatami mats. He started training with ukemi and my cotton tabi really slid across the straw! His exploration of 基本八法 Kihon Happō is influenced by his study of 雲隠流 Kumogakure Ryū. As the next Soke of Kumogakure Ryū, he is hard at work learning and studying this school. And I feel lucky to be part of this journey every time I study with him. At one point he showed a detail of how to attack the 急所 kyūsho 血止 chidome and 血ダメ chidame. The name of this kyūsho means to stop the blood. Obviously this would incapacitate an opponent if you pull it off. But Furuta Sensei used a hooking strike into chidome to unbalance with one finger. The kyūsho becomes a 支点 shiten. The pressure creates a pivot or a fulcrum to affect the oppon...

Japan Report Four 令和5年

I start off my Japan Report Four video going to Hatsumi Sensei’s house and the Bujinkan Honbu office. I do this on every trip because this is how I submit my rank paperwork for my students. In the video I talk about my “secret” route to his house. I also recall past times when I could just visit and have tea with Soke. During my walk to his house, I review some of my notes from old classes with Soke. During one class he said 自分の第六感兼ねあいうち Jibun no dairokkan kane aiuchi. This is when you make your intuition match reality. Or, more directly, your intuition is combined with something concrete such as a strike. Later in that same class, Hatsumi Sensei said 意識をさせない Ishiki o Sasenai. He was telling us not to allow our opponents to sense our intentions. Don’t put out any intention for your opponent to read. I thought it was fascinating to think about dairokkan and the use of intuition while also hiding your intentions. Hatsumi Sensei’s classes were full of subtle lessons lik...