Skip to main content

空間 Kukan: More Bounce to the Ounce

Edo-Tokyo Architectural Museum. photo by kanegen
I guess I didn't understand kukan. I was in a class with Hatsumi Sensei, and the things he did and said made that clear to me. For example he said,
 "When he's close, then use a sanshin strike. Let's think that this strike is a strike on the kukan. No one will think you'll do this."
and another time he said to "Bounce the opponent off the kukan." and to "use the kukan as a shield." Hatsumi Sensei then added,
 "you're not "doing" a technique. Being able to control without holding on in the kukan. It's like juggling in the kukan. This is the most important thing for the upcoming kunoichi taikai. Because you don't need strength to juggle."
And the effect on his opponent was palpable. I could see it happening in front of me. He was being "bounced."

OK. So the simple physics don't match up with any western translation of kukan I have heard. For example one dictionary defines 空間 kukan as: space;  room;  airspace. And I always understood it to mean the space between, in and around the fight and the fighters. But this is empty air! How the heck do you strike it? And when you do, what would that accomplish?

Let's look an eastern concept for this idea. The first character in kukan is 空 ku, one of the five elements in our training. It roughly translates to empty;  sky;  void;  vacant;  vacuum.

But in another blog post about bojutsu I described another meaning for kokū 虚空:
We usually think of this as meaning empty space or empty sky. But this word is sometimes used to refer to the mind (which has no form or color) of your opponent. Kokū 虚空 can be read as emptiness or even "false" emptiness. Another way to write kokū is 真空, which is a true emptiness. Or even kokū 心空 emptiness of mind.
So how do you bounce somebody off empty space? Maybe with the mind of the attacker? The space looks empty but it is filled with intentions and thoughts.

Soke ended the class by suggesting that we do it without feeling. Kankaku denai 感覚でない... But isn't that how badly we always do it?

Comments

  1. On "So how do you bounce somebody off empty space?"
    Give him distractions, physically and/or mentally, so he cant find his Kukan.
    Would be my interpretation.
    2.Dan working on it right now :)

    ReplyDelete

Post a Comment

Popular posts from this blog

Ride the Tiger: Japan Report Seven 令和6年

Michael tries cola flavor Ninja gummies, a gift from 中川将志 Nakagawa Shōshi I went out to do some laundry and grocery shopping before training. Along the way, I stopped in at the bookstore to find some inspiration from Hatsumi Sensei’s painting. As I flipped through the pages, my eyes settled on a painting of 毘沙門天 Bishamonten riding a tiger. Support my work and watch the FULL video: https://www.rojodojo.com/ride-the-tiger-japan-report-seven-reiwa6/  Hatsumi Sensei gave the painting the title of 坂上 田村麻呂 Sakanoue no Tamuramaro. This historic figure was one of the first Shōgun in Japan. Legends around him grew over the centuries and he was considered an avatar of Bishamonten, a god of war, and warrior king. Hatsumi Sensei wrote some poetry from 虎倒流 Kotō Ryū on the painting. Soke said that when he visited Takamatsu Sensei, Takamatsu recited this poetry to him. The poem extols the virtues of a figure like Sakanoue, but I suspect Takamatsu Sensei was also honoring Hatsumi as h...

Ninja Morality of Kogarashi Monjiro

This time of year is often spent helping, giving or thinking of others.  There are many people who misinterpret the life of a ninja as one of a solitary, dark and shadowy existence.  A lone wolf sneaking in and out of other's lives to accomplish some mission. Sensei suggests to us that this is not a healthy view.  He says that it is an ideal to have others depend on you.  People think they are too busy to help others, but if you decide to ignore everyone else, trusting only yourself, you will soon become one of the busiest of all men.  He continues, To give a helping hand to poor people and to want to save them is the humanity of Japanese, and of a warrior's heart. Hatsumi mentions the character Kogarashi Monjiro from the novel and 1970's TV series set in the Edo period, originally written by Saho Sasazawa. Acted by famous samurai actor Atsuo Nokamura.  Monjiro lived the wandering life of a gambler.  He had a nihilistic attitude and sought to ...

The Kaname of 神眼 Shingan

真是厲害的鏡頭 photo By *嘟嘟嘟* Hatsumi Sensei has suggested that another reading of 神眼 shingan is kaname. As we study this years feeling it might become important to see with the divine eyes of shingan. To truly comprehend this principle requires we understand how to connect to the divine. In my recent video about 不動座 fudouza , I suggested some symbolism that connected the heavens, down through the conduit of our physical bodies, and into the earth. The way Hatsumi Sensei describes this connection, it's not him doing the techniques, but they are being created through this connection. No matter your beliefs or religion, it is crucial to understand the foundations of Japanese symbolism to get the feelings behind our art. Hatsumi Sensei says that one way to learn this is through Sanshin no kata that is connected to the heavens. It is connected through heaven, earth, and man (tenchijin). He further describes this as  天動説 tendousetsu, 地動説 chidousetsu, and 人動説 jindousetsu. 天動説 tendousetsu is...