Skip to main content

A New Bujinkan 初段 Shodan in my Dojo

Richard chats with Peter Crocoll
I went to Arizona last weekend for training. This was more than just a normal training trip. One of my long-time students, Richard, was going for his initiation to shodan.

In many dojos, a Bujinkan 初段 shodan  is not really treated as such a big deal. In most of the Bujinkan it requires at least a few years of study and a proficiency with the basics. But in my dojo and my teacher's dojo, we see it as an important event in a student's journey. So we approach this threshold with certain key ideas.
Peter Uses a Ninja-to on Richard
To begin with, skill and technical ability are important. Richard had to demonstrate this, but by the time I put any student up for shodan, I already know very well what he is capable of. So we only look at technique to make sure the student knows for himself what he is AND is not capable of.

The next part has to do with the personal journey. How or why did you start? Why do you keep going? For most of us, these reasons change as we grow in the art. Richard's path to his shodan was not straight or direct, but it was natural like life.
Peter Disarms Richard
Then there is the connection to our history. The student should be able to trace a direct line from his own training back through his teachers to Hatsumi Sensei and the history of the art in Japan. The more direct this connection the better. Lucky for Richard, he was surrounded by many people who have trained with Hatsumi Sensei in Japan directly and some who have been doing so for decades.

The importance of 忍 nin in our study cannot be overestimated. We often think of nin as perseverance. And it is.
Peter Cuts Richard Down
But some deeper meanings arise as you advance in training. The character for nin has the sword over the heart. This has been suggested to mean that even under the threat of the sword, the heart will persevere.

You may also find your heart reflected in the polish of the sword. It might be a way to hold your own blade or you may find it reflected in your enemy's weapon. But your heart can be made clear by the polishing done in the dojo.
Richard relaxed and happy before the storm
When you have completely polished the mirror (your heart) it is absolutely clear of dirt or imperfections. So then perseverance is easy, because there is nothing there. You reflect your enemies back to themselves. You embody nothingness and you are not a target. There is nothing to attack or defend and endurance is a matter of sutemi.

This idea takes us well beyond shodan. But this weekend all of us who were there to help Richard were there to be nothing but a mirror for him. Our job was to remove our agendas or egos from the process so that he would only find himself reflected back.
Michael Glenn and Richard with his new shodan
Congratulations Richard! Thank you for training with me all these years.

Comments

  1. What an incredible accomplishment for both of you. You being a great teacher and Richard for his nin, his perseverance (and those steel toed tabis). Omedetou Gozaimasu.

    ReplyDelete

Post a Comment

Popular posts from this blog

Japan Report One 令和5年

Every Bujinkan trip I make to Japan feels like a gift. And I always share that with you all in my Japan reports. This trip, I decided to video a lot. Like every day. So there will be quite a few of these. The only issue is that it takes me time to edit all of this video, so these Japan reports may spread out into next year. The first video is here:  Japan Report One 令和5年 The first day of any Bujinkan trip to Japan starts with a marathon. 20 hours of travel by Plane train, and automobile. Also, a lot of walking with a heavy backpack up and down stairs, through airports and train stations, and of course to the Honbu Dojo! Because I’m crazy, I arrived at the airport and went straight to Noguchi Sensei’s class. The class was smallish, maybe 20 people. I was a little shaky on my feet so I slammed some milk tea to get my energy back up. I partnered with Mario From Croatia. Noguchi began with 中伝之捌型 Chūden no Sabaki Gata from 高木揚心流 Takagi Yoshin Ryū. He put a lot of focus into what the opposit

Japan Report Three 令和5年

Last night Paul Masse invited me and my teacher Peter over to his house in Noda-shi. While we were in the backyard swapping stories, his wife Tomoe invited us inside to a warm dinner of ちゃんこ鍋 chankonabe. She and Paul are very friendly and generous. Paul asked Peter what he found at the antique weapons market. Peter said that he was looking for 矢の根 yanone, which are arrowheads. He also said he bought a tsuba with a giant centipede on it. Paul was curious about this so Peter told us the story behind it. He told us 俵藤太物語 Tawara Tōda monogatari, the legend of Tawara Tōda. I share my version of the story on the video so if you'd like to watch the full video report, you can find it here: https://www.rojodojo.com/japan-report-three-reiwa5/ . But the short of it is that Tawara Tōda killed a giant centipede with a well aimed arrow. We had a wonderful time over dinner while swapping stories. Paul’s young boys were full of energy and were running around like crazy people. Danzo thou

Bujinkan Daikomyosai Party and Training Themes from Japan

What are the current Bujinkan Themes? For my second week of Japan training, I begin with a visit to 上野東照宮 Ueno Tōshōgū. This shrine was built in 1627, and enshrines Tokugawa Ieyasu. I have visited many times, but they did an extensive remodel a few years ago. This was my first time going beyond the 唐門 Karamon and into the grounds. The entire 本殿 Honden is covered in gold leaf and looks spectacular with the gingko leaves fluttering down around me. Michael Glenn at 上野東照宮 Ueno Tōshōgū Later that night, I arrived a bit early for Nagase Sensei’s class. He had moved the class time back 45 minutes so I took the opportunity to review my notes from the prior class. He has been working with 十方折衝 juppō sesshō and the directions for 天地人 Tenchijin and the sanshin within it. He described many aspects of Tenchijin. He would control his opponent at three points, high, middle, and low. He told us the Ten direction is 天照大御神 Amaterasu ōmikami. The Chi direction is 国常立尊 Kunitokotachi no mi