Skip to main content

師恩 Shion: a Teacher's Grace and Kindness Inspires Our Bujinkan Training

師恩 Shion on the wall in Soke's house. photo by Michael Glenn
I want to give you a clue for how to study in the Bujinkan. This clue I will share below comes directly from Hatsumi Sensei. But first, let me tell you why your teacher may not even know this.

Some teachers follow the teachings of Hatsumi Sensei, but many do not. Many have their own ideas about how the Bujinkan should be taught or transmitted. This is a mistake that many who claim to follow Soke will make without even knowing it.

They develop their own curriculum and make their students learn and study in ways that have never been part of the Bujinkan. This includes many lost people who think they can recreate the early training of the old days. If you weren't there, then you don't know. But I guess you can make stuff up.

Bujinkan arts are taught very differently from other martial arts and that is quite intentional. It is a natural strategy that Hatsumi Sensei has chosen. And if you don't understand it, there is a reason for that as well.

Hatsumi Sensei is an artist. How do artists learn from one another? Primarily by inspiration. If you have ever been inspired, think about the energy that put into your mind, your heart, or your body. This energy moves you to act.

Hatsumi Sensei says that beyond even heart to heart transmission is 絵心伝心 eshin (egokoro) denshin. This is artistic inspiration passed from one artist to another. This happens instinctively for artists, but it cannot be put in any training manual.

Like many things Soke tells us, this is a play on words relating artistic inspiration to 以心伝心 ishindenshin which is a mutual and natural understanding between people that borders on telepathy. This is when you can give somebody a glance and they know exactly what you mean.

This artistic inspiration and mutual understanding guided me to Hatsumi Sensei's dojo in the first place. We didn't know each other and had never spoke. But our hearts communicated across time, culture, and distance to bring us together.

Soke says that this is the path of Budo. Nothing needs to be explained or said. By training with and being in the presence of such a teacher, you just get it.

This is how I study Bujinkan. I use 画心 gashin or an artistic instinct that I have developed and received from many years of being inspired by my teachers. And I repay their 師恩 shion (a teacher's grace and kindness) with gratitude by sharing this inspiration with my students.

Comments

Popular posts from this blog

Ride the Tiger: Japan Report Seven 令和6年

Michael tries cola flavor Ninja gummies, a gift from 中川将志 Nakagawa Shōshi I went out to do some laundry and grocery shopping before training. Along the way, I stopped in at the bookstore to find some inspiration from Hatsumi Sensei’s painting. As I flipped through the pages, my eyes settled on a painting of 毘沙門天 Bishamonten riding a tiger. Support my work and watch the FULL video: https://www.rojodojo.com/ride-the-tiger-japan-report-seven-reiwa6/  Hatsumi Sensei gave the painting the title of 坂上 田村麻呂 Sakanoue no Tamuramaro. This historic figure was one of the first Shōgun in Japan. Legends around him grew over the centuries and he was considered an avatar of Bishamonten, a god of war, and warrior king. Hatsumi Sensei wrote some poetry from 虎倒流 Kotō Ryū on the painting. Soke said that when he visited Takamatsu Sensei, Takamatsu recited this poetry to him. The poem extols the virtues of a figure like Sakanoue, but I suspect Takamatsu Sensei was also honoring Hatsumi as h...

Japan Report Six 令和5年

I was invited to Furuta Sensei’s home dojo out in the countryside. He is very generous and picked us up from the train station. The only problem is that he plays a Lady Gaga CD on repeat during the drive. Furuta’s home dojo is very rustic with traditional tatami mats. He started training with ukemi and my cotton tabi really slid across the straw! His exploration of 基本八法 Kihon Happō is influenced by his study of 雲隠流 Kumogakure Ryū. As the next Soke of Kumogakure Ryū, he is hard at work learning and studying this school. And I feel lucky to be part of this journey every time I study with him. At one point he showed a detail of how to attack the 急所 kyūsho 血止 chidome and 血ダメ chidame. The name of this kyūsho means to stop the blood. Obviously this would incapacitate an opponent if you pull it off. But Furuta Sensei used a hooking strike into chidome to unbalance with one finger. The kyūsho becomes a 支点 shiten. The pressure creates a pivot or a fulcrum to affect the oppon...

Japan Report Seven 令和5年

I began the morning in a hurry because I had to get to the dojo early. My days in Japan are very busy. I run and gun to fit in all of the classes, recording my video reports in between. And I still have to find time for food, laundry, sleep, as well as tourism and shopping.  Today I planned three classes, Furuta Sensei, Nagase Sensei, and Noguchi Sensei. But I didn’t have time to review my notes until the next morning in a cafe. The coffee sure helped. The FULL video review can be found here: https://www.rojodojo.com/japan-report-seven-reiwa-five/ The first class was at the Bujinkan Honbu dojo with Furuta Sensei. We began class wearing a lot of knives. He said you should wear at least 9 knives. He didn’t mean that literally but the number 9 implies an infinite amount. So you have the ability to respond or attack infinitely. He kept hiding behind the attack of his opponents. I learned this approach from him a few years ago during our study of 雲隠流 Kumogakure Ryū in ...