Skip to main content

How to Use 精神 Seishin to Rearrange the Body

Michael Glenn visits 鬼の子の木 by 熊澤 未来子。Ichigayatamachi, Tokyo
I watched as Hatsumi Sensei brought his really big, central European opponent to his knees. He did this somehow without force. Even on his knees, the guy was almost as tall as Soke.

Then Soke snapped a sharp kick to a kyusho on the man’s leg. He yelped like a hurt pony. As he twisted to get away from the pain, we all saw that it was a trap that Hatsumi Sensei had set to pin the guy’s other leg.

How does Hatsumi Sensei break down bigger opponents so easily?

Maybe you’ve heard Hatsumi Sensei’s recommendation that we drop technique. Or not to focus on technique. Or that technique is a trap.

For many people who attend a martial arts class, this seems counter intuitive. We came to class for a reason. Why would we be there if not to learn technique?

Many martial artists get stuck at this level. They are happy obsessing over their technique and endless variations of it. You know the type, the ones who argue endlessly about the “correct” way to do kihon. Or which lineage is the “real” one.

Soke has in mind a larger purpose for budo. The purpose of growing human potential. We come together in the pursuit of martial arts to polish each other’s hearts and be polished.

But the mirror of the heart gets clouded by thoughts of technique, rank, of winning or losing, of honor or proving oneself. To study with a clear mind you must drop all of these thoughts. Kakusan Shidō, founder of Tōkei-ji said,
“If the mind does not rest on anything, there is no clouding, and talk of polishing is but a fancy.”
This is the approach of the pure spirit of 精神 seishin. Seishin is the spirit or soul, heart or mind. This is the part of you that defines yourself. Hatsumi Sensei says,
精神が己であり、己が精神でありまして、精神から離れた己はなく、己から離れた精神もないわけです。
Seishin is the self, the self is found in seishin. There is no self apart from seishin, and this is why seishin doesn’t exist without the self.
In martial arts study, we try to teach this part of ourselves through the physical means of budo. Fighting your way to enlightenment may seem odd to an outsider. But combat has a stark clarity. And it quickly cuts through the noise of ego to hit your body and affect your spirit.

There is even a ninja secret to protect the spirit. Have the perseverance of Ninniku Seishin: "hiding spirit" hide your intentions, don't show off everything, be patient, wait and endure to succeed. This is how you protect seishin.

One of Takamatsu Sensei’s teachers, Toda Shinryuken, The 32nd Soke of 戸隠流忍法 Togakure Ryū Ninpō, said,
 己を空にして, また体に配す
One must empty oneself and then arrange the body again. 
Arrange the body again? What does that rearrangement look like? This cannot be explained or even thought about. It is what Soke wants us to study with the Bujinkan theme for 2015. Hatsumi Sensei has not even spoken much about it, because it really is beyond thought, beyond words.
“Think the unthinkable. How to think the unthinkable? Be without thoughts, this is the secret of meditation” Dogen Zenji
This is also the secret for the student in the dojo. Have you ever had training like this? Try it next time and you might see what your teacher is really teaching beyond techniques.

Comments

  1. Beautiful concept. Can this idea really be "understood"?

    ReplyDelete

Post a Comment

Popular posts from this blog

Ride the Tiger: Japan Report Seven 令和6年

Michael tries cola flavor Ninja gummies, a gift from 中川将志 Nakagawa Shōshi I went out to do some laundry and grocery shopping before training. Along the way, I stopped in at the bookstore to find some inspiration from Hatsumi Sensei’s painting. As I flipped through the pages, my eyes settled on a painting of 毘沙門天 Bishamonten riding a tiger. Support my work and watch the FULL video: https://www.rojodojo.com/ride-the-tiger-japan-report-seven-reiwa6/  Hatsumi Sensei gave the painting the title of 坂上 田村麻呂 Sakanoue no Tamuramaro. This historic figure was one of the first Shōgun in Japan. Legends around him grew over the centuries and he was considered an avatar of Bishamonten, a god of war, and warrior king. Hatsumi Sensei wrote some poetry from 虎倒流 Kotō Ryū on the painting. Soke said that when he visited Takamatsu Sensei, Takamatsu recited this poetry to him. The poem extols the virtues of a figure like Sakanoue, but I suspect Takamatsu Sensei was also honoring Hatsumi as h...

Behind the Black Gate: Japan Report Eight 令和6年

  黒門 Kuromon: the Black Gate This morning I made my way into Tokyo to visit the 黒門 kuromon, or black gate. This was one of the few structures from 寛永寺 Kan’ei-ji that survived the battle of Ueno (上野戦争, Ueno Sensō). During the Boshin War (戊辰戦争, Boshin Sensō), and the gate marked the spot where the 彰義隊 Shōgitai lost a decisive battle against the Imperial troops. Today it is riddled with bullet holes and cannon scars. The Shōgitai were the last of the Tokugawa Samurai. They had swords, arrows, and spears. But they were no match for the 官軍 kangun, the Imperial army led by 西郷 隆盛 Saigō Takamori, who used Snider rifles and Armstrong Cannons. 黒門の半分見へて春の雨 the Black Gate is only half visible – rain in spring 〜Kobayashi Issa, 1805 My visit to the black gate was marked by the gentle fall of Ginkgo leaves. A quiet peaceful morning helped me reflect on such a fierce battle. Maybe one of the reasons I am allowed to be here was because of this war which led to the end of the Tokugawa ...

Kage No Keiko: Don't Ask a Shadow for Answers

Photo by OiMax There is an old tale about a teacher whose students asked him, "Where does your teaching come from?  What is its source?  Who is your teacher?" The teacher replies, You are not ready for my answer.  If I say that my teaching is from inspiration, you will consider me crazy.  If I say it is my own teaching and skill, some will worship me and never learn.  If I name my teacher, many will turn to him to ask the same dumb questions while ignoring real study. In the Bujinkan, Hatsumi Sensei has told us that training is a process of developing the eyes to be able to see true budo. Hatsumi Sensei talks about different types of keiko or training, even in dreams.  He says that when he is training intensely, he will have weird dreams.  He tells this story about his teacher Toshitsugu Takamatsu, He would draw from 5:00 a.m. to noon every day.  One day, he painted a picture of a dragon for his friend.  A few nights later, my teacher...