Skip to main content

Hold 間 Ma in Your Mind For Heijōshin

Mural wall art at 明治神宮前駅 Meiji-Jingūmae station, photo by Michael Glenn
I have an important suggestion for you if you plan on training in Japan. When you show up to the dojo, put yourself in the proper mood for training. I suggest a state of 平常心 heijōshin which is a steady and calm presence of mind. Otherwise you can quickly become lost in the depths of what you have just jumped into.

If you’ve ever been to one of Hatsumi Sensei’s classes, you know that a lot depends on the mood. Yes, the Bujinkan Hombu Dojo has a mood. There is a feeling or sensation in the air. Where does this come from and how does it affect our training?

For example, during one recent class I was tired from training 2-3 classes every day for two weeks in Japan. But I showed up to the dojo in an expectant mood. In fact, it seemed there was a mood of anticipation among all of my training friends in the Hombu that Tuesday night. But, when Hatsumi Sensei arrived, his mood prevailed over all of us.

And during this class, he told us,
“I’m not teaching budo, I’m teaching the feeling of contemplation of a divine poem.”
Well, I can only speak for myself… but I don’t think any of of us anticipated that this would be tonight’s lesson.

Before I describe more of what he taught that night, let me lead you back to heijōshin. Because this lesson is beyond what we think about martial arts or combat. It begins from owning the kukan in your own mind.

We often hear about 空間 kukan in Bujinkan training. It means space. Training helps us examine the spatial relationships between fighters, between ourselves and our opponents, and even the physical location of the fight.

But you may not know that 空間 kukan is both internal and external. The fight takes place in the minds of you and your opponent maybe more than in actual physical combat. We must use a fighting strategy that uses both the internal and external space.

That same night at the Hombu dojo, Hatsumi Sensei said,
“You have to be able to take the opponent with the kukan itself.”
This is puzzling if you think only in terms of the physical. Yes, you can corner someone, or strategically position yourself to win through the proper use of space. But the real victory is when you own the internal space. Capture the opponent’s mind while freeing your own.

The word kukan uses the character 間 ma. This is a deep idea in Japanese thought. Where time is not linear, instead it is contained in the circle of nature. Space is not empty, instead it contains everything. Ma can be the space between things, between moments, or even between thoughts.

Ma can refer to the space between the technique you want to do in your mind and what you actually do physically. It can be the space between what the opponent expects you to do and what really happens. But it also can be the ability to see all of this at once as if from outside the fight.

That is another type of kukan. The space to see the whole fight including the internal struggles in the minds of both combatants. You might call that a divine insight. What if you could use that perspective?

Hatsumi Sensei used that perspective as he taught. First he showed us a technique and then watched us fighting to repeat what he demonstrated. But he didn’t let us struggle for very long. He gave us a tip for how to use this space in our minds,
“Don’t think of it as a contest. Don’t think about making it a fight. It’s not a contest. This is heijōshin. Don’t think anything.”
This kind of 間 ma in the mind is necessary for heijōshin. That is one of the great challenges even in just entering the dojo. If we can’t even show up to class with that kind of mindset, what chance do we have in a fight?


Popular posts from this blog

Noguchi Sensei Surprised Us With Gikan Ryu

Noguchi Sensei Shares 40+ year old Gikan Ryu notes. photo by Michael Glenn They love to crank up the heat in the Bujinkan Honbu. I find it too hot on most days. But today I had been doing photography out in the cold pouring rain, so I found myself ready to embrace the warmth of the dojo. Noguchi Sensei greeted me when he arrived. He normally shares a few jokes with me, but today he seemed very focused. Less than 20 students were waiting for him to bow in. He did so promptly as is his custom. Then he announced we were doing Gikan Ryu kata. I was surprised. In more than 30 years I have not been shown these from any teacher. In between kata, Noguchi Sensei showed me a tattered notebook with the kata handwritten in a numbered sequence. He told me these were his actual notes from more than 40 years ago when Hatsumi Sensei taught these only to him. if you are interested, I recorded a video of my experiences for 特訓 Tokkun members of Rojodojo: Bujinkan Kuden: Gikan Ryu wit

Ninjutsu - The Spider's Thread (蜘蛛の糸, Kumo no Ito)

photo by ajari This last year, some of us have heard Hatsumi Sensei make reference to a spider's web dangling down from heaven.  As usual with Soke, there are many layers to this idea.  If you subscribe to my training notes (if you aren't a subscriber yet, you miss a LOT of free Bujinkan notes), you can get even more details from my classes with Hatsumi Sensei. One idea that Sensei put out there for us was in his painting of Daruma with a spider descending a web and alighting on Daruma's eyebrow.  As Paul Masse explains: The Inscription reads, “ Ninjustu is on your eyebrow.... the spider`s thread, so close, the village of Togakure”.  Sometimes things are so close to us that we can not perceive them. Hatsumi Sensei has continued to reference this web from the heavens.  If Ninjutsu is on one's eyebrow, or there is a thread to heaven dangling down but we do not see it, how can we use that in Budo? Maybe it will help if we look at another story that Hatsumi

The Hidden Kūkan for Bujinkan 無刀捕 Mutōdori

山田 記央 photo by Michael Glenn It was the normal chaos at the Bujinkan Honbu dojo. The training had just ended, and everyone rushed to get their photos with Hatsumi Sensei. I rushed to my notebook. I did this because Soke finished the class with a huge surprise for his teaching of 無刀捕 mutōdori. He showed us 空間を作る kūkan o tsukuru, or how to create space. So I scribbled a note about the hidden location for this opening before that secret disappeared into the night. Earlier that day, I had gone into Tokyo to visit Norio Yamada-san. He makes 江戸手描提灯 Edo Tegaki Chōchin, Edo style hand painted paper lanterns. He called to say my order was ready to pick up. It never occurred to me that there could be a connection to Soke’s teaching later that night. Hatsumi Sensei said, “You’re not evading, 空間  浮かす Kūkan ukasu, you’re floating the opponent in the space.” If you’ve ever held one of these paper lanterns, they feel like you’ve caught light and air itself as it glows softly in the nigh