Skip to main content

Evade Without Evading: Bujinkan Strategies of Control Part 4

五條天神社で、お焚き上げ otakiage preparations at Gojoten jinja. photo Michael Glenn
Last time I attacked Hatsumi Sensei, he disappeared. It left me very confused. But Hatsumi Sensei described it this way,
“This is a way to control. You’ve got to be a shadow. He won’t believe that I’m avoiding.“
The next day I ran some errands in Tokyo. The local shrines were already beginning their new year’s preparations. I stopped and stared at a pile of wood that was made ready for the お焚き上げ otakiage bonfire. Fire can purify and burn away problems from the previous year.

 I kept thinking about what happened in yesterday’s class with Soke. How did he disappear? That was what I was stuck on.

I thought, next time I get that chance, I am going to really try to hit him and see what happens. If anything goes wrong, the year is almost over and I can throw myself into the fire.

In Hatsumi Sensei’s next class, he asked me to punch at him. I decided this time I would go for it! I really tried and he disappeared. Then I was kind of hanging there in space. I felt a finger (I think it was his thumb) very light on the back of my hand. And somehow this threw me. He said,
“This muto dori feeling is very important. One finger. Just kind of pass by. This way of moving through the kukan is important.”
What Hatsumi Sensei was teaching was how to control. I discovered much later that this type of control arises neither by evading or NOT evading. It is hidden in between.

Hatsumi Sensei told us over and over, “Yokeru yokenai!” This is getting out of the way without getting out of the way. Not evading while evading.

This is hard to understand. Obviously you don’t want to get hit by your opponent. If you can’t evade or stand still, then what?

Hatsumi Sensei gave us a clue when he said “人間の意識からない ningen no ishiki kara nai.” Don’t do it with your own human intention.

That is the problem with evading. The human intention or thought takes too long. Soke said, “I'm not avoiding. Not thinking.”

This creates a special kind of distance that is connected to nature. It is not something that you came up with yourself. If you're trying to get out of the way, then you won't be able to control anything because you are preoccupied.

You don’t want to get hit, or cut by the weapon. But if you try to evade, or try NOT to evade, you will fail. No matter how good you are. There is always someone better, faster, sneakier. So the answer lies in between evading and not evading.

What is in between? Connection and zero. This has long been how Soke describes his budo,
“You control him like this. This is the theme. Connect these ideas. It becomes zero. Connecting zero.”
You can find the middle way between evading and not evading by merging with this universal space (Hatsumi Sensei said shizento and uchuuto). Then he called it a 玉 gyoku or egg ( I don’t know what that means, but if you do, please contact me).

Your whole body becomes like the mist. I wouldn’t believe any of this, except I tried to hit Soke and that is what happened. I have been holding onto that feeling ever since.

In my own training I have discovered that in the moment you evade, you break the connection and become trapped in your efforts to evade. You escape this through play. Play sets you free. Hatsumi Sensei described it,
“This is the idea of freedom. This is the strength of freedom. The power of freedom. Because it's very wide, it's very vast (宇宙 uchuu). You want to go up into space.”
The flames from the bonfire rise above the shrine, sending sparks past the 鳥居 torii, and up among the stars. I would burn with them. There I learn the freedom of this distance.

UP NEXT:  A Pattern 荒む Growing Wild: Bujinkan Strategies of control Part 5

Comments

Popular posts from this blog

Ride the Tiger: Japan Report Seven 令和6年

Michael tries cola flavor Ninja gummies, a gift from 中川将志 Nakagawa Shōshi I went out to do some laundry and grocery shopping before training. Along the way, I stopped in at the bookstore to find some inspiration from Hatsumi Sensei’s painting. As I flipped through the pages, my eyes settled on a painting of 毘沙門天 Bishamonten riding a tiger. Support my work and watch the FULL video: https://www.rojodojo.com/ride-the-tiger-japan-report-seven-reiwa6/  Hatsumi Sensei gave the painting the title of 坂上 田村麻呂 Sakanoue no Tamuramaro. This historic figure was one of the first Shōgun in Japan. Legends around him grew over the centuries and he was considered an avatar of Bishamonten, a god of war, and warrior king. Hatsumi Sensei wrote some poetry from 虎倒流 Kotō Ryū on the painting. Soke said that when he visited Takamatsu Sensei, Takamatsu recited this poetry to him. The poem extols the virtues of a figure like Sakanoue, but I suspect Takamatsu Sensei was also honoring Hatsumi as h...

Japan Report Six 令和5年

I was invited to Furuta Sensei’s home dojo out in the countryside. He is very generous and picked us up from the train station. The only problem is that he plays a Lady Gaga CD on repeat during the drive. Furuta’s home dojo is very rustic with traditional tatami mats. He started training with ukemi and my cotton tabi really slid across the straw! His exploration of 基本八法 Kihon Happō is influenced by his study of 雲隠流 Kumogakure Ryū. As the next Soke of Kumogakure Ryū, he is hard at work learning and studying this school. And I feel lucky to be part of this journey every time I study with him. At one point he showed a detail of how to attack the 急所 kyūsho 血止 chidome and 血ダメ chidame. The name of this kyūsho means to stop the blood. Obviously this would incapacitate an opponent if you pull it off. But Furuta Sensei used a hooking strike into chidome to unbalance with one finger. The kyūsho becomes a 支点 shiten. The pressure creates a pivot or a fulcrum to affect the oppon...

Behind the Black Gate: Japan Report Eight 令和6年

  黒門 Kuromon: the Black Gate This morning I made my way into Tokyo to visit the 黒門 kuromon, or black gate. This was one of the few structures from 寛永寺 Kan’ei-ji that survived the battle of Ueno (上野戦争, Ueno Sensō). During the Boshin War (戊辰戦争, Boshin Sensō), and the gate marked the spot where the 彰義隊 Shōgitai lost a decisive battle against the Imperial troops. Today it is riddled with bullet holes and cannon scars. The Shōgitai were the last of the Tokugawa Samurai. They had swords, arrows, and spears. But they were no match for the 官軍 kangun, the Imperial army led by 西郷 隆盛 Saigō Takamori, who used Snider rifles and Armstrong Cannons. 黒門の半分見へて春の雨 the Black Gate is only half visible – rain in spring 〜Kobayashi Issa, 1805 My visit to the black gate was marked by the gentle fall of Ginkgo leaves. A quiet peaceful morning helped me reflect on such a fierce battle. Maybe one of the reasons I am allowed to be here was because of this war which led to the end of the Tokugawa ...