Bujinkan Santa Monica

Mt Fuji all the way from Kashiwa, photo by Michael Glenn Hatsumi Sensei surprises me with his teaching. The night before I left for Japan, we studied 忍者刀 Ninjatō in my own dojo. Then, on Friday night in Soke’s class at the Bujinkan Honbu Dojo, he taught one of the secrets of this weapon. I try to prepare for these lessons, yet I am still surprised. I suppose the only way is to always be ready. This is the ukemi of being Hatsumi Sensei’s student. I landed at Narita Airport around 5pm local time. My normal plan is to run through immigration and customs as fast as Japanese bureaucracy will allow. Then catch a two hour train ride straight to Hatsumi Sensei’s class. One hour into the train ride I began to lose my motivation. Warm trains make me sleepy. That, and the 20 hours of travel that wasn’t over yet. I stood up to shake off the tired. It was already dark out, and the train cabin was reflected back to us in the window. I leaned my head against the door to watch the lights p

邃渓園 Suikeien at 帝釈天題経寺 photo by Michael Glenn This fall we will have our 秋修業 Aki Shūgyō on Oct 20. This training event sets the Bujinkan theme for our fall training. The training theme is set to take over the season. We will move from  哀れみ Awaremi to 楽しみ Tanoshimi. Not for Everyone! Only the most dedicated teachers are willing to go on a 修業 Shugyo. Only the most dedicated students commit to the adventure. Are you in? text or call: (424) 272-6307 to RSVP Our theme comes from the clue Hatsumi Sensei gave us when he matched the seasons with 喜怒哀楽 kidoairaku, or human emotions. In fighting, we normally strive to remove emotion, or at least, not let it control us. But the ura waza, or hidden technique, is to harness the power contained in emotion. We draw it out of our enemy to use against them. Maybe on a deep level, we can even tap the power of emotion from within ourselves. Hatsumi Sensei told us we must learn 遊びの中真実 Asobi no naka shinjitsu, or the truth hidden within play.

Hidden Alcove at 戸定邸 Tojō-tei. photo by Michael Glenn Within the 九法の力 Kyū-hō no chikara, or the power of the 9 methods, there is a kuji that holds the 秘技 higi or secret technique to overcoming a hundred enemies: 「護攻虚変争精神不動」GoKoKyoHenSeiShinFudo This kuji, or gokui, repels any method of capture or defeat. You protect yourself by changing the attack itself with an immovable spirit. This is the time to do or die. You are prepared for death, but you’d rather do the enemy in. How do you do instead of die? In that single moment of life and death you remain unmoved in the middle. That middle place is the key to ninjutsu . On a very hot day in June, I learned about this. The air was loud with the harmonic drone of 蝉 semi (cicadas). But we were training anyway. Hatsumi Sensei told us to train in accordance with the temperature. Two opponents attacked and Soke slipped behind the first attacker. He did this while trapping the second guy in his own attack. Then Hatsumi asked the uke

This summer, I was honored to be invited to Québec to teach and share the Bujinkan training I've been doing in Japan. My hosts Bernard and Francine were gracious and wonderful. The students were very skilled, attentive, and curious. And Québec City was an amazing place to visit! I covered many Bujinkan topics during the seminar. Here is an extended preview video: The contents of the full Bujinkan training series is available below. Part One: Kamae And Kyojitsu. In this first video I cover some basics of kamae and kyojitsu. FULL VIDEO: https://www.rojodojo.com/quebec-bujinkan-kamae-and-kyojitsu/ Part Two: Kukan and Tension. In this video I demonstrate how to shape the kukan. Then in this space we create tension that allows us to throw our opponent without strength. I also share some of the training I did with Hatsumi Sensei in Japan last month. FULL VIDEO https://www.rojodojo.com/quebec-bujinkan-kukan-and-tension/ Part Three: Draw and Disarm. First I show how to shift th

山田 記央 photo by Michael Glenn It was the normal chaos at the Bujinkan Honbu dojo. The training had just ended, and everyone rushed to get their photos with Hatsumi Sensei. I rushed to my notebook. I did this because Soke finished the class with a huge surprise for his teaching of 無刀捕 mutōdori. He showed us 空間を作る kūkan o tsukuru, or how to create space. So I scribbled a note about the hidden location for this opening before that secret disappeared into the night. Earlier that day, I had gone into Tokyo to visit Norio Yamada-san. He makes 江戸手描提灯 Edo Tegaki Chōchin, Edo style hand painted paper lanterns. He called to say my order was ready to pick up. It never occurred to me that there could be a connection to Soke’s teaching later that night. Hatsumi Sensei said, “You’re not evading, 空間  浮かす Kūkan ukasu, you’re floating the opponent in the space.” If you’ve ever held one of these paper lanterns, they feel like you’ve caught light and air itself as it glows softly in the nigh

Bujinkan 提灯 Chouchin, Hatsumi and Takamatsu Sensei's 位牌. photo by Michael Glenn The Bujinkan theme for our Spring training is set. Please study the idea 千変万化 Senpen Banka. This theme of innumerable changes is what Hatsumi Sensei gave us earlier this month. When I returned from Japan, we held the annual 春修業 Haru Shūgyō   All of the students were focused and trained hard to grow from this season’s theme. Here is a bit of what we studied. We warmed up with 初心五型 Shoshin Gokei. Hatsumi Sensei has had a multi-year focus on 無刀捕 mutōdori, so we next did 五行の型 Gogyō no kata as mutōdori! If you’ve never studied this, it will really surprise you. Hatsumi Sensei gave us perspective on this kind of 三心 sanshin. In the Hagakure, a famous quote says, 武士道といふは死ぬことと見つけたり The way of Bushido is found in death. But Hatsumi Sensei told us this idea is often misunderstood. He said that in the Bujinkan we study the way of living, and to protect life. Soke said, “武士道は生死生よう Bushido wa seishi seiyō”

A Point in Ueno Sation. photo by Michael Glenn I have had the fortune of training with Hatsumi Sensei outdoors on a number of occasions. Each time it was unique, but on this day Soke waved his hand toward the students and told us today would be a test for the Jugodans. It was a cool morning under the Japanese maples, so Hatsumi Sensei wore  a quilted 羽織 haori which was the color of pearl. I don’t know if anyone else heard him, but he muttered the phrase “open sesame!” Because we were about to open a gate to hidden treasures. One of those treasures arrived when Soke broke the attack of his opponent, causing his spine to arch back. Sensei hooked into his eyes with one finger. Then he dropped away to release the tension. At this moment, he caught the fall of his uke with the position of his body. This had the effect of completely twisting the limbs and spine. And crushing like a trash compactor. Hatsumi Sensei looked at all of us and said, “全体駄目 zentai dame, or when everythi