Skip to main content

How to Practice the Fake Kick of 指拍 Shihaku

How to Practice the Fake Kick of 指拍 Shihaku
Real or fake kick?
The other night in my dojo we were practicing fake kicks during the kata 指拍 Shihaku. It is a challenge to practice a fake kick. Here I will give you a method to make your fakes seem real.

How do you trick someone into believing something that isn’t real? You act as if it is real. Or even better, make it real.

This is how I often explain kyojitsu to my students. 虚 kyo means fake, and 実 jitsu means reality. For kyojitsu to work it has to be both real and fake at the same time.

Shihaku has a kick that is kyojitsu. But remember kyojitsu only works if it can be either 虚 kyo or 実 jitsu. Too many people only practice the kyo part of kyojitsu. 

Their fake fails because no one would fall for it. So it must be real. Just not necessarily delivered.

This means that if the opponent doesn’t react to your fake, then make it real. And you kick him hard! If he’s not buying what you’re selling, then kick his ass with it.

So when does does the fake become real? Where does that change occur? Hatsumi Sensei demonstrated this on me when he called it 虚実皮膜 kyojitsu himaku.

The way I learned this kick from Hatsumi Sensei was quite interesting. He took it to that in between place of kyojitsu by making the kick 探り saguri geri. Here The kick becomes more of a searching, feeling out, or testing the waters.

But Soke is really probing the opponent’s state of mind. Will he fall for it? Think of a calm mind like the surface of a quiet lake. Then look for the ripples caused by your (fake) kick.

It is like dipping your toe into a pool to see if the water is cold. Is that a kick? The water surface may be broken and disturbed. Our opponent's kamae is also broken and disturbed this way by saguri geri.

I love this in practice because I can often make my opponents fall over without even hitting them. It is because I am striking their mind and spirit. If that fails for some reason, I have the backup of a real kick to the balls and a punch to the gut. I am happy with either outcome!

If you want more of these training tips from me, then please join my newsletter here: Rojodojo

Comments

Popular posts from this blog

Japan Report One 令和5年

Every Bujinkan trip I make to Japan feels like a gift. And I always share that with you all in my Japan reports. This trip, I decided to video a lot. Like every day. So there will be quite a few of these. The only issue is that it takes me time to edit all of this video, so these Japan reports may spread out into next year. The first video is here:  Japan Report One 令和5年 The first day of any Bujinkan trip to Japan starts with a marathon. 20 hours of travel by Plane train, and automobile. Also, a lot of walking with a heavy backpack up and down stairs, through airports and train stations, and of course to the Honbu Dojo! Because I’m crazy, I arrived at the airport and went straight to Noguchi Sensei’s class. The class was smallish, maybe 20 people. I was a little shaky on my feet so I slammed some milk tea to get my energy back up. I partnered with Mario From Croatia. Noguchi began with 中伝之捌型 Chūden no Sabaki Gata from 高木揚心流 Takagi Yoshin Ryū. He put a lot of focus into what the opposit

Bujinkan Daikomyosai Party and Training Themes from Japan

What are the current Bujinkan Themes? For my second week of Japan training, I begin with a visit to 上野東照宮 Ueno Tōshōgū. This shrine was built in 1627, and enshrines Tokugawa Ieyasu. I have visited many times, but they did an extensive remodel a few years ago. This was my first time going beyond the 唐門 Karamon and into the grounds. The entire 本殿 Honden is covered in gold leaf and looks spectacular with the gingko leaves fluttering down around me. Michael Glenn at 上野東照宮 Ueno Tōshōgū Later that night, I arrived a bit early for Nagase Sensei’s class. He had moved the class time back 45 minutes so I took the opportunity to review my notes from the prior class. He has been working with 十方折衝 juppō sesshō and the directions for 天地人 Tenchijin and the sanshin within it. He described many aspects of Tenchijin. He would control his opponent at three points, high, middle, and low. He told us the Ten direction is 天照大御神 Amaterasu ōmikami. The Chi direction is 国常立尊 Kunitokotachi no mi

Bujinkan 鎖分銅 Kusarifundō: Truth and Falsehood

Buki-mobile at 鎌倉・山海堂商店, photo by Michael Glenn Do you know the deepest levels of 虚実 kyojitsu lead down the path of 捨て身 sutemi? In a recent class I shared a dimension of kyojitsu that I’ve only ever heard expressed from Hatsumi Sensei. But is anyone willing to take this path? During my class demo, I shot the weight of the 鎖分銅 kusarifundō out into the face of my opponent. A surprise 中振 nakafuri strike, but my use of it was for kyojitsu. The sound of the chain and the weight act as 目潰し metsubushi and caught the opponent’s attention. These sensations hid my next move. It isn’t very safe to use a real kusarifundō in class. Unless your training partner likes dental work or a busted eyebrow, it is safer to use a short cord to practice. But then I noticed my students were missing a key aspect of this type of kyojitsu. Most people think of kyojitsu as being a feint or fake. You mislead and distract the opponent from your real strategy. Many students stop there by using a fake-out. But, for kyo