Japan Report Two 令和5年

Morning Song at 月野宮神社 Tsukinomiya Jinja, photo: Michael Glenn

On this day of my Bujinkan Japan Training trip, I began with a visit to the the 月野宮神社 Tsukinomiya Jinja Flea Market. There, I found an impromptu concert from a local guy with a guitar. And I also found many antique swords, jutte, and miscellaneous weapons. I finish by sharing a lesson from Hatsumi Sensei about 弱いも支点 yowai mo shiten, using your weakness as a pivot point.

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During my train ride back to the dojo in Noda-shi, I stopped for lunch at a street festival on 大宮銀座通り商店街 Ōmiya Ginza-dōri shōten machi. This was random luck, I just popped out of the station and the party was on! Some nice people whipped up tasty and filling yakisoba for me and I ate it straight off the grill.

Once back in Noda, I had a great class with Furuta Sensei. He started the class with tehodoki. But his unique approach is informed by 雲隠流 Kumogakure Ryū. He had us match our own body and shoulder to his grab then change angle or levels. He even had us grabbing our own body or clothing for extra support.

Then he changed to hanbōjutsu against a knife attack. He did a flip strike to disarm. If that doesn’t work, pivot under to unbalance. Add a final strike to the hand to finish.

Then he showed receiving the knife in a vertical kamae with the hanbō alongside your own body. When he pivoted under, he extended one finger like a jutte to hook the attacking arm. Meanwhile the hanbō is passed behind the attacker’s head to lock his arm and choke.

He finished class with sword. He had us receive in 棟水之構 Tōsui no Kamae, then push the attacker’s sword aside. But your own sword must control the center line before you cut down to kote.

Great training so far. And up next from my Bujinkan Japan Training trip, Japan Report Three 令和5年

Comments

Japan Report One 令和5年

Every Bujinkan trip I make to Japan feels like a gift. And I always share that with you all in my Japan reports. This trip, I decided to video a lot. Like every day. So there will be quite a few of these. The only issue is that it takes me time to edit all of this video, so these Japan reports may spread out into next year. The first video is here: Japan Report One 令和5年 The first day of any Bujinkan trip to Japan starts with a marathon. 20 hours of travel by Plane train, and automobile. Also, a lot of walking with a heavy backpack up and down stairs, through airports and train stations, and of course to the Honbu Dojo! Because I’m crazy, I arrived at the airport and went straight to Noguchi Sensei’s class. The class was smallish, maybe 20 people. I was a little shaky on my feet so I slammed some milk tea to get my energy back up. I partnered with Mario From Croatia. Noguchi began with 中伝之捌型 Chūden no Sabaki Gata from 高木揚心流 Takagi Yoshin Ryū. He put a lot of focus into what the opposit

Japan Report Four 令和5年

I start off my Japan Report Four video going to Hatsumi Sensei’s house and the Bujinkan Honbu office. I do this on every trip because this is how I submit my rank paperwork for my students. In the video I talk about my “secret” route to his house. I also recall past times when I could just visit and have tea with Soke. During my walk to his house, I review some of my notes from old classes with Soke. During one class he said 自分の第六感兼ねあいうち Jibun no dairokkan kane aiuchi. This is when you make your intuition match reality. Or, more directly, your intuition is combined with something concrete such as a strike. Later in that same class, Hatsumi Sensei said 意識をさせない Ishiki o Sasenai. He was telling us not to allow our opponents to sense our intentions. Don’t put out any intention for your opponent to read. I thought it was fascinating to think about dairokkan and the use of intuition while also hiding your intentions. Hatsumi Sensei’s classes were full of subtle lessons lik

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What are the current Bujinkan Themes? For my second week of Japan training, I begin with a visit to 上野東照宮 Ueno Tōshōgū. This shrine was built in 1627, and enshrines Tokugawa Ieyasu. I have visited many times, but they did an extensive remodel a few years ago. This was my first time going beyond the 唐門 Karamon and into the grounds. The entire 本殿 Honden is covered in gold leaf and looks spectacular with the gingko leaves fluttering down around me. Michael Glenn at 上野東照宮 Ueno Tōshōgū Later that night, I arrived a bit early for Nagase Sensei’s class. He had moved the class time back 45 minutes so I took the opportunity to review my notes from the prior class. He has been working with 十方折衝 juppō sesshō and the directions for 天地人 Tenchijin and the sanshin within it. He described many aspects of Tenchijin. He would control his opponent at three points, high, middle, and low. He told us the Ten direction is 天照大御神 Amaterasu ōmikami. The Chi direction is 国常立尊 Kunitokotachi no mi

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