Skip to main content

空間移動 Kuukanidou: Moving Empty Space

Parking Lot Ku, near 観音寺 Kannon-ji, Ayase. photo by Michael Glenn
What do you make with empty space? What is the point of 空間 kukan? Many years ago I was training with Hatsumi Sensei and he told us, "Your own intention becomes "ku". Your body becomes "ku." And together in that space you can live."

Wow. That is a powerful answer to conflict.

Then last month I was training with Hatsumi Sensei and he told us, "You've got to play in the space here. Be able to move freely, make your own kukan. Move with the opponent in the moment in a friendly fashion."

I've been giving a lot of thought and study to understand this year's theme. This theme resonates very deeply for me personally. One of the reasons I think it does is because I have been on a path leading to this for many years.

I said in my last post about this year's theme of 神韻武導 Shin Gin Bu Dou , that Soke feels that we in the Bujinkan have finally matured enough for him to share the gokui that Takamatsu Sensei gave him so many years ago,
なす技を己がカと人は言う。神の導く身と知らずして (高松寿嗣)
People say that it is with their own strength that they perform techniques, without knowing that their body is led by the gods. ~Takamatsu Toshitsugu
I got my first rank in the Bujinkan in 1988. But I started studying some years before that. The mystery is, what got me started? An even bigger mystery is what keeps me going after all these years?

This year feels like an answer to that mystery to me. To try to understand the answer, I have been digging through my old training notes. Following the threads where they lead.
And they appear to come together this year in empty space. Kukan.

So the other night in my own class, I was attacking my opponents with kukan. No one can counter or defeat empty space. But why is this even possible?

I explained to my students that we were doing what Soke describes as 空間移動 kuukanidou, which is shifting the space itself, or repositioning the kuukan. Then you strike the kukan. Ring it like a bell.

More than twenty years ago Hatsumi Sensei said in one class, "You should strike the kukan. You should not be aiming at a specific target, you should be aiming at the space itself."

Then it resonates. Your strike echoes around the space and is magnified the way sound waves can amplify one another. Then you are not using your own power.

Sound waves can cancel each other out as well. This is how you evade or defend with empty space. I've witnessed this personally. I've done it.

You render an enemy harmless. He falls, gentle like a cherry blossom. This is how you can create a safe place in the midst of violence. A space where you can live.

What might happen if you did this outside of the dojo? What if you make your own kukan for your life?

Comments

Popular posts from this blog

Japan Report One 令和5年

Every Bujinkan trip I make to Japan feels like a gift. And I always share that with you all in my Japan reports. This trip, I decided to video a lot. Like every day. So there will be quite a few of these. The only issue is that it takes me time to edit all of this video, so these Japan reports may spread out into next year. The first video is here:  Japan Report One 令和5年 The first day of any Bujinkan trip to Japan starts with a marathon. 20 hours of travel by Plane train, and automobile. Also, a lot of walking with a heavy backpack up and down stairs, through airports and train stations, and of course to the Honbu Dojo! Because I’m crazy, I arrived at the airport and went straight to Noguchi Sensei’s class. The class was smallish, maybe 20 people. I was a little shaky on my feet so I slammed some milk tea to get my energy back up. I partnered with Mario From Croatia. Noguchi began with 中伝之捌型 Chūden no Sabaki Gata from 高木揚心流 Takagi Yoshin Ryū. He put a lot of focus into what the opposit

Japan Report Three 令和5年

Last night Paul Masse invited me and my teacher Peter over to his house in Noda-shi. While we were in the backyard swapping stories, his wife Tomoe invited us inside to a warm dinner of ちゃんこ鍋 chankonabe. She and Paul are very friendly and generous. Paul asked Peter what he found at the antique weapons market. Peter said that he was looking for 矢の根 yanone, which are arrowheads. He also said he bought a tsuba with a giant centipede on it. Paul was curious about this so Peter told us the story behind it. He told us 俵藤太物語 Tawara Tōda monogatari, the legend of Tawara Tōda. I share my version of the story on the video so if you'd like to watch the full video report, you can find it here: https://www.rojodojo.com/japan-report-three-reiwa5/ . But the short of it is that Tawara Tōda killed a giant centipede with a well aimed arrow. We had a wonderful time over dinner while swapping stories. Paul’s young boys were full of energy and were running around like crazy people. Danzo thou

Bujinkan Daikomyosai Party and Training Themes from Japan

What are the current Bujinkan Themes? For my second week of Japan training, I begin with a visit to 上野東照宮 Ueno Tōshōgū. This shrine was built in 1627, and enshrines Tokugawa Ieyasu. I have visited many times, but they did an extensive remodel a few years ago. This was my first time going beyond the 唐門 Karamon and into the grounds. The entire 本殿 Honden is covered in gold leaf and looks spectacular with the gingko leaves fluttering down around me. Michael Glenn at 上野東照宮 Ueno Tōshōgū Later that night, I arrived a bit early for Nagase Sensei’s class. He had moved the class time back 45 minutes so I took the opportunity to review my notes from the prior class. He has been working with 十方折衝 juppō sesshō and the directions for 天地人 Tenchijin and the sanshin within it. He described many aspects of Tenchijin. He would control his opponent at three points, high, middle, and low. He told us the Ten direction is 天照大御神 Amaterasu ōmikami. The Chi direction is 国常立尊 Kunitokotachi no mi