Skip to main content

Kyusho of Zero in Three Easy Steps

Three Lamps, 日本民家園 Nihon Minka-en. photo by Michael Glenn
I have found three easy steps to make 神韻武導 Shin Gin Budo happen. Sounds great even if it might be a lie. But could it be easy? Let's see…

One thing I know for sure about this year's theme is that it's difficult to teach. I went to Japan last month to study with Hatsumi Sensei. And he gave me a lot to work on. So I have been working.

Like many things Soke shares with us, this theme is connected to many previous themes. It did not suddenly appear this year in our training. And I personally am grateful to have this as a focus because I have been working on this very idea for several years in my own training.

But I always tell my students, this is what I am doing and studying myself, but I don't know how to teach it. Sorry.

Yet, thanks to Hatsumi Sensei's focus this year, I have new insights that I can share. Maybe they will help anyone trying to get a grasp on Shin Gin.

As I mentioned in another post about the 2014 Bujinkan theme,  this idea is like entering a divine space. But first you have to find it. And Hatsumi Sensei says we should make it ourselves. Make our own kukan where we can be safe, where we can survive and live. So, how do you start?

Step 1: 阿吽の呼吸 aunnokokyuu

 

One way to begin is with 阿吽の呼吸 aunnokokyuu. Hatsumi Sensei used this term which means harmonizing.  Like yin/yang or in/yo. Connect the Mind, body and spirit, with that of your opponent.

If you do that, the fight will never happen in the first place. But if it does, anger and aggression tend to dissipate when there is this kind of harmony. And even still, if the attacks come, you are so connected that it would be like you punching yourself. How hard is it to avoid that?

Go ahead, try it. Punch yourself. I'll wait right here while you do. 

If you are not masochistic, then you either won't do it at all, or it is very easy to avoid. This is what it feels like when you are harmonized with your opponent. But the theme this year is larger than this.

Step 2: 空間を陽空 kuukanwoyokuu

 

After using 阿吽の呼吸 aunnokokyuu, you enter your own space. Either by finding it or creating it. Soke said it is like an air pocket.

Hatsumi Sensei said 空間を陽空 kuukanwoyokuu. This is Yang empty space. A positive,  safe space. Like seeing daylight when emerging from a prison. Or the clouds parting after a storm.

This is where things get mysterious. Shin Gin.  Budo guided by divine resonance.

Step 3: 神韻武導 Shin Gin Budo

 

Once in that space, you can harmonize and connect with the heavens. Through this connection you are a lot more powerful than your own strength, ability, technique, or wit could ever be when fighting by yourself. You gain a natural 抑止力 yokushiryoku, the ability to deter attacks.

And as for offense,  Hatsumi says you can strike opponents with your spirit. You strike the space itself. 空間の九勝 Kukan no Kyūshō. Soke said,
"Lift the opponent up into the kukan and then blast them away with your spirit. It's the kyusho of air. It's the kyusho of zero."
3 easy steps, right?

What a crazy, wonderful, and powerful art we study! I would never believe any of this if I hadn't witnessed it in person, felt it directly, or done it myself. I hope you can find this in your training this year.

Comments

Popular posts from this blog

Japan Report One 令和5年

Every Bujinkan trip I make to Japan feels like a gift. And I always share that with you all in my Japan reports. This trip, I decided to video a lot. Like every day. So there will be quite a few of these. The only issue is that it takes me time to edit all of this video, so these Japan reports may spread out into next year. The first video is here:  Japan Report One 令和5年 The first day of any Bujinkan trip to Japan starts with a marathon. 20 hours of travel by Plane train, and automobile. Also, a lot of walking with a heavy backpack up and down stairs, through airports and train stations, and of course to the Honbu Dojo! Because I’m crazy, I arrived at the airport and went straight to Noguchi Sensei’s class. The class was smallish, maybe 20 people. I was a little shaky on my feet so I slammed some milk tea to get my energy back up. I partnered with Mario From Croatia. Noguchi began with 中伝之捌型 Chūden no Sabaki Gata from 高木揚心流 Takagi Yoshin Ryū. He put a lot of focus into what the opp...

Japan Report Three 令和5年

Last night Paul Masse invited me and my teacher Peter over to his house in Noda-shi. While we were in the backyard swapping stories, his wife Tomoe invited us inside to a warm dinner of ちゃんこ鍋 chankonabe. She and Paul are very friendly and generous. Paul asked Peter what he found at the antique weapons market. Peter said that he was looking for 矢の根 yanone, which are arrowheads. He also said he bought a tsuba with a giant centipede on it. Paul was curious about this so Peter told us the story behind it. He told us 俵藤太物語 Tawara Tōda monogatari, the legend of Tawara Tōda. I share my version of the story on the video so if you'd like to watch the full video report, you can find it here: https://www.rojodojo.com/japan-report-three-reiwa5/ . But the short of it is that Tawara Tōda killed a giant centipede with a well aimed arrow. We had a wonderful time over dinner while swapping stories. Paul’s young boys were full of energy and were running around like crazy people. Danzo thou...

Japan Report Four 令和5年

I start off my Japan Report Four video going to Hatsumi Sensei’s house and the Bujinkan Honbu office. I do this on every trip because this is how I submit my rank paperwork for my students. In the video I talk about my “secret” route to his house. I also recall past times when I could just visit and have tea with Soke. During my walk to his house, I review some of my notes from old classes with Soke. During one class he said 自分の第六感兼ねあいうち Jibun no dairokkan kane aiuchi. This is when you make your intuition match reality. Or, more directly, your intuition is combined with something concrete such as a strike. Later in that same class, Hatsumi Sensei said 意識をさせない Ishiki o Sasenai. He was telling us not to allow our opponents to sense our intentions. Don’t put out any intention for your opponent to read. I thought it was fascinating to think about dairokkan and the use of intuition while also hiding your intentions. Hatsumi Sensei’s classes were full of subtle lessons lik...