Skip to main content

空間移動 Kuukanidou: Moving Empty Space

Parking Lot Ku, near 観音寺 Kannon-ji, Ayase. photo by Michael Glenn
What do you make with empty space? What is the point of 空間 kukan? Many years ago I was training with Hatsumi Sensei and he told us, "Your own intention becomes "ku". Your body becomes "ku." And together in that space you can live."

Wow. That is a powerful answer to conflict.

Then last month I was training with Hatsumi Sensei and he told us, "You've got to play in the space here. Be able to move freely, make your own kukan. Move with the opponent in the moment in a friendly fashion."

I've been giving a lot of thought and study to understand this year's theme. This theme resonates very deeply for me personally. One of the reasons I think it does is because I have been on a path leading to this for many years.

I said in my last post about this year's theme of 神韻武導 Shin Gin Bu Dou , that Soke feels that we in the Bujinkan have finally matured enough for him to share the gokui that Takamatsu Sensei gave him so many years ago,
なす技を己がカと人は言う。神の導く身と知らずして (高松寿嗣)
People say that it is with their own strength that they perform techniques, without knowing that their body is led by the gods. ~Takamatsu Toshitsugu
I got my first rank in the Bujinkan in 1988. But I started studying some years before that. The mystery is, what got me started? An even bigger mystery is what keeps me going after all these years?

This year feels like an answer to that mystery to me. To try to understand the answer, I have been digging through my old training notes. Following the threads where they lead.
And they appear to come together this year in empty space. Kukan.

So the other night in my own class, I was attacking my opponents with kukan. No one can counter or defeat empty space. But why is this even possible?

I explained to my students that we were doing what Soke describes as 空間移動 kuukanidou, which is shifting the space itself, or repositioning the kuukan. Then you strike the kukan. Ring it like a bell.

More than twenty years ago Hatsumi Sensei said in one class, "You should strike the kukan. You should not be aiming at a specific target, you should be aiming at the space itself."

Then it resonates. Your strike echoes around the space and is magnified the way sound waves can amplify one another. Then you are not using your own power.

Sound waves can cancel each other out as well. This is how you evade or defend with empty space. I've witnessed this personally. I've done it.

You render an enemy harmless. He falls, gentle like a cherry blossom. This is how you can create a safe place in the midst of violence. A space where you can live.

What might happen if you did this outside of the dojo? What if you make your own kukan for your life?

Comments

Popular posts from this blog

Ride the Tiger: Japan Report Seven 令和6年

Michael tries cola flavor Ninja gummies, a gift from 中川将志 Nakagawa Shōshi I went out to do some laundry and grocery shopping before training. Along the way, I stopped in at the bookstore to find some inspiration from Hatsumi Sensei’s painting. As I flipped through the pages, my eyes settled on a painting of 毘沙門天 Bishamonten riding a tiger. Support my work and watch the FULL video: https://www.rojodojo.com/ride-the-tiger-japan-report-seven-reiwa6/  Hatsumi Sensei gave the painting the title of 坂上 田村麻呂 Sakanoue no Tamuramaro. This historic figure was one of the first Shōgun in Japan. Legends around him grew over the centuries and he was considered an avatar of Bishamonten, a god of war, and warrior king. Hatsumi Sensei wrote some poetry from 虎倒流 Kotō Ryū on the painting. Soke said that when he visited Takamatsu Sensei, Takamatsu recited this poetry to him. The poem extols the virtues of a figure like Sakanoue, but I suspect Takamatsu Sensei was also honoring Hatsumi as h...

Ninja Morality of Kogarashi Monjiro

This time of year is often spent helping, giving or thinking of others.  There are many people who misinterpret the life of a ninja as one of a solitary, dark and shadowy existence.  A lone wolf sneaking in and out of other's lives to accomplish some mission. Sensei suggests to us that this is not a healthy view.  He says that it is an ideal to have others depend on you.  People think they are too busy to help others, but if you decide to ignore everyone else, trusting only yourself, you will soon become one of the busiest of all men.  He continues, To give a helping hand to poor people and to want to save them is the humanity of Japanese, and of a warrior's heart. Hatsumi mentions the character Kogarashi Monjiro from the novel and 1970's TV series set in the Edo period, originally written by Saho Sasazawa. Acted by famous samurai actor Atsuo Nokamura.  Monjiro lived the wandering life of a gambler.  He had a nihilistic attitude and sought to ...

The Kaname of 神眼 Shingan

真是厲害的鏡頭 photo By *嘟嘟嘟* Hatsumi Sensei has suggested that another reading of 神眼 shingan is kaname. As we study this years feeling it might become important to see with the divine eyes of shingan. To truly comprehend this principle requires we understand how to connect to the divine. In my recent video about 不動座 fudouza , I suggested some symbolism that connected the heavens, down through the conduit of our physical bodies, and into the earth. The way Hatsumi Sensei describes this connection, it's not him doing the techniques, but they are being created through this connection. No matter your beliefs or religion, it is crucial to understand the foundations of Japanese symbolism to get the feelings behind our art. Hatsumi Sensei says that one way to learn this is through Sanshin no kata that is connected to the heavens. It is connected through heaven, earth, and man (tenchijin). He further describes this as  天動説 tendousetsu, 地動説 chidousetsu, and 人動説 jindousetsu. 天動説 tendousetsu is...