Skip to main content

Echo (yamabiko  山彦) of Hatsumi Sensei

It's strange how training in Japan feels like coming home. Even though I don't travel here as often as I'd like there is always a moment after all the stress of travel drops away and I can relax into this experience that just feels right.

Maybe it's the family feeling that exists in Hatsumi Sensei's Bujinkan. Maybe it's all the friends and good memories here. Or maybe it's just reconnecting with the source of this art that is such an important part of my life.

Class with Sensei Tuesday night was truly wonderful. There were so many important discoveries I found in Soke's taijutsu that I told my teacher Peter Crocoll that even if all I had was that one class my trip was worth it. He said he thought the same thing last night.

It's hard to convey what happened in writing, but I will be working on this material for many months to come in my classes at home.

Sensei had us working on kage no tsuki for a bit. Then he made reference to existing in the kukan. He said you use a point in the kukan and you live there. For me it is like balancing on a needle. But you can make an entire life at that point as your spirit expands to open up space for you. Very esoteric stuff.

Sensei also made reference to yamabiko  山彦 or echo. The technique he did took the attacker's intent and echoed it back on him. If you think about how a mountain echo works, it starts at one small point, your shout, then expands outward, bouncing off the canyon walls, to return to you in waves that seem magnified.

I was also fortunate to watch Hatsumi Sensei write a scroll for Peter. He told Peter it was next year's theme and this was the first time he wrote it. I'm not sure I should say more about that here, except next year should be great!


- Posted using BlogPress from my iPhone

Comments

Popular posts from this blog

Ride the Tiger: Japan Report Seven 令和6年

Michael tries cola flavor Ninja gummies, a gift from 中川将志 Nakagawa Shōshi I went out to do some laundry and grocery shopping before training. Along the way, I stopped in at the bookstore to find some inspiration from Hatsumi Sensei’s painting. As I flipped through the pages, my eyes settled on a painting of 毘沙門天 Bishamonten riding a tiger. Support my work and watch the FULL video: https://www.rojodojo.com/ride-the-tiger-japan-report-seven-reiwa6/  Hatsumi Sensei gave the painting the title of 坂上 田村麻呂 Sakanoue no Tamuramaro. This historic figure was one of the first Shōgun in Japan. Legends around him grew over the centuries and he was considered an avatar of Bishamonten, a god of war, and warrior king. Hatsumi Sensei wrote some poetry from 虎倒流 Kotō Ryū on the painting. Soke said that when he visited Takamatsu Sensei, Takamatsu recited this poetry to him. The poem extols the virtues of a figure like Sakanoue, but I suspect Takamatsu Sensei was also honoring Hatsumi as h...

Behind the Black Gate: Japan Report Eight 令和6年

  黒門 Kuromon: the Black Gate This morning I made my way into Tokyo to visit the 黒門 kuromon, or black gate. This was one of the few structures from 寛永寺 Kan’ei-ji that survived the battle of Ueno (上野戦争, Ueno Sensō). During the Boshin War (戊辰戦争, Boshin Sensō), and the gate marked the spot where the 彰義隊 Shōgitai lost a decisive battle against the Imperial troops. Today it is riddled with bullet holes and cannon scars. The Shōgitai were the last of the Tokugawa Samurai. They had swords, arrows, and spears. But they were no match for the 官軍 kangun, the Imperial army led by 西郷 隆盛 Saigō Takamori, who used Snider rifles and Armstrong Cannons. 黒門の半分見へて春の雨 the Black Gate is only half visible – rain in spring 〜Kobayashi Issa, 1805 My visit to the black gate was marked by the gentle fall of Ginkgo leaves. A quiet peaceful morning helped me reflect on such a fierce battle. Maybe one of the reasons I am allowed to be here was because of this war which led to the end of the Tokugawa ...

Japan Report Six 令和5年

I was invited to Furuta Sensei’s home dojo out in the countryside. He is very generous and picked us up from the train station. The only problem is that he plays a Lady Gaga CD on repeat during the drive. Furuta’s home dojo is very rustic with traditional tatami mats. He started training with ukemi and my cotton tabi really slid across the straw! His exploration of 基本八法 Kihon Happō is influenced by his study of 雲隠流 Kumogakure Ryū. As the next Soke of Kumogakure Ryū, he is hard at work learning and studying this school. And I feel lucky to be part of this journey every time I study with him. At one point he showed a detail of how to attack the 急所 kyūsho 血止 chidome and 血ダメ chidame. The name of this kyūsho means to stop the blood. Obviously this would incapacitate an opponent if you pull it off. But Furuta Sensei used a hooking strike into chidome to unbalance with one finger. The kyūsho becomes a 支点 shiten. The pressure creates a pivot or a fulcrum to affect the oppon...