Skip to main content

Mutō Dori 無刀捕: Hidden Strategy is Beautiful

Hiding Dog - Sapporo, Japan. photo by MJ/TR (´・ω・)
We have a profound strategy in the Bujinkan which often goes unnoticed. I think it is not obvious because the name creates a certain idea. Mutō Dori 無刀捕 (no sword capture). People hear that and they already have an idea in their head about dodging sword cuts.

Hatsumi Sensei makes reference to this strategy not just when he is unarmed facing a sword wielding attacker, but also during unarmed taijutsu, and while using all manner of weapons.

So forget the sword for a moment, and let's discover some hidden layers in Mutō Dori.

First, relying on any weapon or technique is a trap. If you become an expert, your mind will get stuck there. Use your weapons or techniques with the same mindset as mutō dori. This is a natural, everyday mind.

In avoiding a sword, if you think about avoiding, you will be cut. If you think about not avoiding, you get cut. You should think about nothing and when the sword cuts, naturally get out of the way. Wherever your mind stops is a trap.

Second, don't try to take your opponent's weapon or defeat him. Use 虚実 kyojitsu. If he responds to the 虚 kyo (illusion), give him the 術 jutsu (true form). Or if he has decided not to be fooled by your misdirection, and his mind stops there, determined not to be faked out, the kyo becomes real. It becomes the jitsu. You win by not attaching to either.

Third, Don't let your own weapon or technique be taken. Don't get cut. Makes sense at a basic level- of course you don't want to get cut. But this only occurs when you know the mind or intentions of the opponent.

Hatsumi Sensei says that he was told this by Takamatsu:
"In the instant that the opponent creates a Kiai, you need to avoid the attack."
This is not when you hear or notice the Kiai, but the instant it is created. You must be open and connected enough to the spirit of the opponent to recognize that moment when his mind or intent has shifted (or he has decided) to attack.

So to explain these three strategies in a slightly different way,

You must handle weapons freely, yours or his, no matter what kind of weapon and without being attached.

Understand and master the mindset of mutō dori. Not only in your own mind, but the opponent's mind also.

Be able to win without using a weapon.

Make a connection in the kukan without being cut (or cutting the opponent).

Wait, WUT? a connection to what? That is a whole other topic, one that I am just starting to explore in my own training, but don't know how to share yet. Sensei has been talking about these connections a lot the past few years.

Hatsumi Sensei quotes Zeami,
"秘すれば花  Hisureba Hana" (That which is hidden is beautiful)
and then Soke goes on to say,
"Those that live within kyojitsu and uncommon sense (秘常識 hijoshiki) possess a hidden sense."
When I glimpse that in training… or I am lucky enough to experience it myself, I definitely find it beautiful.

Comments

Popular posts from this blog

Ride the Tiger: Japan Report Seven 令和6年

Michael tries cola flavor Ninja gummies, a gift from 中川将志 Nakagawa Shōshi I went out to do some laundry and grocery shopping before training. Along the way, I stopped in at the bookstore to find some inspiration from Hatsumi Sensei’s painting. As I flipped through the pages, my eyes settled on a painting of 毘沙門天 Bishamonten riding a tiger. Support my work and watch the FULL video: https://www.rojodojo.com/ride-the-tiger-japan-report-seven-reiwa6/  Hatsumi Sensei gave the painting the title of 坂上 田村麻呂 Sakanoue no Tamuramaro. This historic figure was one of the first Shōgun in Japan. Legends around him grew over the centuries and he was considered an avatar of Bishamonten, a god of war, and warrior king. Hatsumi Sensei wrote some poetry from 虎倒流 Kotō Ryū on the painting. Soke said that when he visited Takamatsu Sensei, Takamatsu recited this poetry to him. The poem extols the virtues of a figure like Sakanoue, but I suspect Takamatsu Sensei was also honoring Hatsumi as h...

Behind the Black Gate: Japan Report Eight 令和6年

  黒門 Kuromon: the Black Gate This morning I made my way into Tokyo to visit the 黒門 kuromon, or black gate. This was one of the few structures from 寛永寺 Kan’ei-ji that survived the battle of Ueno (上野戦争, Ueno Sensō). During the Boshin War (戊辰戦争, Boshin Sensō), and the gate marked the spot where the 彰義隊 Shōgitai lost a decisive battle against the Imperial troops. Today it is riddled with bullet holes and cannon scars. The Shōgitai were the last of the Tokugawa Samurai. They had swords, arrows, and spears. But they were no match for the 官軍 kangun, the Imperial army led by 西郷 隆盛 Saigō Takamori, who used Snider rifles and Armstrong Cannons. 黒門の半分見へて春の雨 the Black Gate is only half visible – rain in spring 〜Kobayashi Issa, 1805 My visit to the black gate was marked by the gentle fall of Ginkgo leaves. A quiet peaceful morning helped me reflect on such a fierce battle. Maybe one of the reasons I am allowed to be here was because of this war which led to the end of the Tokugawa ...

Kage No Keiko: Don't Ask a Shadow for Answers

Photo by OiMax There is an old tale about a teacher whose students asked him, "Where does your teaching come from?  What is its source?  Who is your teacher?" The teacher replies, You are not ready for my answer.  If I say that my teaching is from inspiration, you will consider me crazy.  If I say it is my own teaching and skill, some will worship me and never learn.  If I name my teacher, many will turn to him to ask the same dumb questions while ignoring real study. In the Bujinkan, Hatsumi Sensei has told us that training is a process of developing the eyes to be able to see true budo. Hatsumi Sensei talks about different types of keiko or training, even in dreams.  He says that when he is training intensely, he will have weird dreams.  He tells this story about his teacher Toshitsugu Takamatsu, He would draw from 5:00 a.m. to noon every day.  One day, he painted a picture of a dragon for his friend.  A few nights later, my teacher...