Skip to main content

詒変の棒 Ihen No Bo: My Bo Stands Against the Wind

Raising a Pole, Japan 1914-18. photo By A.Davey
During the 2012 Daikomyosai, Hatsumi Sensei showed us some very mysterious forms of bojutsu. He was showing things most of us had never seen before. After watching one that was very surprising to the whole crowd,  Nagato Sensei turned to some of us and said, "Sensei has been reviewing his training notes from Takamatsu Sensei and he is remembering new things that he studied."

This statement can be interpreted in different ways. But my own feeling about what I witnessed Soke do with the bojutsu he learned from Takamatsu Sensei, is that it is connected to 詒変の棒 Ihen no bo. So I resolved to study this when I returned home.

How to study ihen no bo? If you have a basic grasp of bojutsu, then adding ihen requires tossing aside what you think you know. This is a scary starting place, because you must abandon what you thought were kihon. Why does ihen require this?

詒変の棒 ihen no bo can be defined as the deceptive or changing bo. Hatsumi Sensei says the "詒 i" in ihen can be read as 詒 azamuku or 欺く, which is deception. But you cannot deceive with just your own intention.

The deception comes from 虚実 kyojitsu, truth and falsehood, two sides of the same reality in the opponent's mind. In one of my recent classes, when we made a Bujinkan ► video of me demonstrating this, I explained this type of striking. It is an echo of the opponent's mind. If he believes you are striking him, you do not. The strike becomes false. If he doesn't believe you will strike, then it becomes real or true, and you strike.

With ihen the "hen" is the same as 変化 henka. It is the bo constantly transforming every moment in the kukan. This is reflecting life. Every moment is unique and the life of the bo changes with it.

Right now, one of my rokushakubo is leaning against a window shade to keep the wind from blowing through. It is not being used to beat up a swordsman. This is a natural henka for the bo.

Comments

Popular posts from this blog

Ride the Tiger: Japan Report Seven 令和6年

Michael tries cola flavor Ninja gummies, a gift from 中川将志 Nakagawa Shōshi I went out to do some laundry and grocery shopping before training. Along the way, I stopped in at the bookstore to find some inspiration from Hatsumi Sensei’s painting. As I flipped through the pages, my eyes settled on a painting of 毘沙門天 Bishamonten riding a tiger. Support my work and watch the FULL video: https://www.rojodojo.com/ride-the-tiger-japan-report-seven-reiwa6/  Hatsumi Sensei gave the painting the title of 坂上 田村麻呂 Sakanoue no Tamuramaro. This historic figure was one of the first Shōgun in Japan. Legends around him grew over the centuries and he was considered an avatar of Bishamonten, a god of war, and warrior king. Hatsumi Sensei wrote some poetry from 虎倒流 Kotō Ryū on the painting. Soke said that when he visited Takamatsu Sensei, Takamatsu recited this poetry to him. The poem extols the virtues of a figure like Sakanoue, but I suspect Takamatsu Sensei was also honoring Hatsumi as h...

Ninja Morality of Kogarashi Monjiro

This time of year is often spent helping, giving or thinking of others.  There are many people who misinterpret the life of a ninja as one of a solitary, dark and shadowy existence.  A lone wolf sneaking in and out of other's lives to accomplish some mission. Sensei suggests to us that this is not a healthy view.  He says that it is an ideal to have others depend on you.  People think they are too busy to help others, but if you decide to ignore everyone else, trusting only yourself, you will soon become one of the busiest of all men.  He continues, To give a helping hand to poor people and to want to save them is the humanity of Japanese, and of a warrior's heart. Hatsumi mentions the character Kogarashi Monjiro from the novel and 1970's TV series set in the Edo period, originally written by Saho Sasazawa. Acted by famous samurai actor Atsuo Nokamura.  Monjiro lived the wandering life of a gambler.  He had a nihilistic attitude and sought to ...

The Kaname of 神眼 Shingan

真是厲害的鏡頭 photo By *嘟嘟嘟* Hatsumi Sensei has suggested that another reading of 神眼 shingan is kaname. As we study this years feeling it might become important to see with the divine eyes of shingan. To truly comprehend this principle requires we understand how to connect to the divine. In my recent video about 不動座 fudouza , I suggested some symbolism that connected the heavens, down through the conduit of our physical bodies, and into the earth. The way Hatsumi Sensei describes this connection, it's not him doing the techniques, but they are being created through this connection. No matter your beliefs or religion, it is crucial to understand the foundations of Japanese symbolism to get the feelings behind our art. Hatsumi Sensei says that one way to learn this is through Sanshin no kata that is connected to the heavens. It is connected through heaven, earth, and man (tenchijin). He further describes this as  天動説 tendousetsu, 地動説 chidousetsu, and 人動説 jindousetsu. 天動説 tendousetsu is...