Skip to main content

Ton'ei 遁影: Shadow Shield or Escaped Phantom?

影電話 photo By shokai
Do you know how to use a shadow shield? If you've dropped all your fantasies of being a Ninja and only focus on dojo martial arts, you may have forgotten about what attracted you to being a ninja in the first place. So let's be mysterious Ninja for a moment.

We have a skill, yes, a skill in our training called 遁影 ton'ei. This is sometimes translated as "shadow shield," but there is more subtlety for us to understand. Shadow is not just a nickname for Ninja, it is an aspect of ton'ei no jutsu.

So this is a tactical strategy as well as a mysterious one. For the tactical, you simply fight with the sun at your back so that the opponent is blinded and has trouble seeing you. As Hatsumi Sensei says you are casting your shadow forward. Hiding in the sunlight is the real shadow of budo.

For one mysterious aspect of 遁影 ton'ei, learning this skill can start with kamae. Soke says that even as you stand in any specific kamae, your heart and mind must be in Kage Kamae.  The shadow in this case is what your heart is feeling. From this shadow kamae you may attack hidden targets. One may even use what is called kage no ken or moguriuchi.

In one of the gokui from our Kukishin Ryu Densho we may discover more secrets for this.

月影の いたらぬ里は なけれども 眺むる人の 心にぞすむ
Tsukikage no itaranu sato wa nakeredomo nagamuru hito no kokoro ni zosumu.
 
Though the moon shines all over the world

Leaving no corner in darkness,

Only those who gaze upon the moon

Appreciate its serene light.

This gokui no uta suggests to us that that the shadows and light of the moon exist for everyone whether you gaze on it or not. But only a few appreciate its mystery.

Another version of this poem is
月影の照らさぬ里はなけれども眺むる人の心にぞ住む


"The village, illuminated by the moonlight, exists in the heart of he who looks upon it."

So here is a secret. It exists in the heart. Your kage no kamae exists there. But when you project that shadow forward, it will also exist in the heart of "he who looks upon it."

This shadow projection is like a clone that your opponent perceives as a threat. Then he will be haunted by your shadow as if by 後神 Ushirogami which a type of 妖怪 youkai. One depiction of an Ushirogami shows its front and backside are the same. One of its arms faces forward and the other backwards.

This Ushirogami is connected to 臆病神 Okubyô-gami and will produce cowardice and confusion for your enemy. When he thinks you are in front of him, you are behind. So he turns around, and there is nothing.

As you project this escaped phantom 遁影, your opponent's mind is clouded with regret, anxiety, fear, and anger. This is your shield. It is as easy to hide from his mind as the moon hides behind clouds.

But you may trap yourself if you are not careful. In Japan, some fisherman have a legend of 影ワニ a shark that feeds on shadows. There you are... fishing by moonlight. You see a shadow pass under your boat...

You stand to get a better look. Then you see your own shadow fall across the water. CHOMP! the shark eats your shadow and you are dragged down into the sea or die right there in your boat.

Comments

Post a Comment

Popular posts from this blog

Ride the Tiger: Japan Report Seven 令和6年

Michael tries cola flavor Ninja gummies, a gift from 中川将志 Nakagawa Shōshi I went out to do some laundry and grocery shopping before training. Along the way, I stopped in at the bookstore to find some inspiration from Hatsumi Sensei’s painting. As I flipped through the pages, my eyes settled on a painting of 毘沙門天 Bishamonten riding a tiger. Support my work and watch the FULL video: https://www.rojodojo.com/ride-the-tiger-japan-report-seven-reiwa6/  Hatsumi Sensei gave the painting the title of 坂上 田村麻呂 Sakanoue no Tamuramaro. This historic figure was one of the first Shōgun in Japan. Legends around him grew over the centuries and he was considered an avatar of Bishamonten, a god of war, and warrior king. Hatsumi Sensei wrote some poetry from 虎倒流 Kotō Ryū on the painting. Soke said that when he visited Takamatsu Sensei, Takamatsu recited this poetry to him. The poem extols the virtues of a figure like Sakanoue, but I suspect Takamatsu Sensei was also honoring Hatsumi as h...

Behind the Black Gate: Japan Report Eight 令和6年

  黒門 Kuromon: the Black Gate This morning I made my way into Tokyo to visit the 黒門 kuromon, or black gate. This was one of the few structures from 寛永寺 Kan’ei-ji that survived the battle of Ueno (上野戦争, Ueno Sensō). During the Boshin War (戊辰戦争, Boshin Sensō), and the gate marked the spot where the 彰義隊 Shōgitai lost a decisive battle against the Imperial troops. Today it is riddled with bullet holes and cannon scars. The Shōgitai were the last of the Tokugawa Samurai. They had swords, arrows, and spears. But they were no match for the 官軍 kangun, the Imperial army led by 西郷 隆盛 Saigō Takamori, who used Snider rifles and Armstrong Cannons. 黒門の半分見へて春の雨 the Black Gate is only half visible – rain in spring 〜Kobayashi Issa, 1805 My visit to the black gate was marked by the gentle fall of Ginkgo leaves. A quiet peaceful morning helped me reflect on such a fierce battle. Maybe one of the reasons I am allowed to be here was because of this war which led to the end of the Tokugawa ...

Kage No Keiko: Don't Ask a Shadow for Answers

Photo by OiMax There is an old tale about a teacher whose students asked him, "Where does your teaching come from?  What is its source?  Who is your teacher?" The teacher replies, You are not ready for my answer.  If I say that my teaching is from inspiration, you will consider me crazy.  If I say it is my own teaching and skill, some will worship me and never learn.  If I name my teacher, many will turn to him to ask the same dumb questions while ignoring real study. In the Bujinkan, Hatsumi Sensei has told us that training is a process of developing the eyes to be able to see true budo. Hatsumi Sensei talks about different types of keiko or training, even in dreams.  He says that when he is training intensely, he will have weird dreams.  He tells this story about his teacher Toshitsugu Takamatsu, He would draw from 5:00 a.m. to noon every day.  One day, he painted a picture of a dragon for his friend.  A few nights later, my teacher...