Skip to main content

2 Mad 剣 Tsurugi Secrets, Plus 1 Mantra

Michael Glenn at 王子神社 ōjijinja, Mabashi, Matsudo, Chiba Prefecture, Japan
I wrote earlier this year about my experiences in Japan with the iconography of Aka-Fudō holding the 倶利伽羅不動剣 Kurikarafudō ken. Back then I was seeking to understand what felt like a bomb Hatsumi Sensei dropped in the middle of our taijutsu with one part of the Bujinkan theme for 2013, The 剣 Tsurugi/Ken.

This Chinese style sword holds lessons and qualities of movement that challenge what you think you know about Japanese martial arts.

So it was really a sweet surprise that just the other night, after 10 months of study with this weapon, I found a personal breakthrough in my movement with the tsurugi.

If you want to attempt what I discovered, try two things, one difficult, the other absurd. Or even better blend these two for the full madness that is the tsurugi.

剣 Tsurugi Madness Number One:

You see the pointy end of your ken? It is tiny and sharp. Let that one point become immovable. Just like the immovable spirit of 不動明王 Fudō Myō-ō, it will occupy the kukan and expand out from its physical position to embrace all the combatants.

Then you pivot around it. This is like 要 kaname that Soke taught us about last year. The confusing part comes when you learn that this still, immovable point doesn't have to stay fixed in space or time. This feels like a contradiction but isn't.

剣 Tsurugi Madness Number Two:

When you embrace that previous contradiction, then you let the sword shatter stillness. As I wrote recently in my training notes, at that moment, all hell breaks loose when the ken flashes and writhes through the kukan from one point to another. To manage this, you must embody 不動心 fudōshin.

Not many people know fudōshin in the midst of combat. It is hard enough to do just sitting in meditation, without someone fiercely trying to gut you.  But I think the power of the tsurugi doesn't just require it, it causes it.

When Fudō Myō-ō wields the Kurikara ken, he is cutting through ignorance with wisdom. I must really need to swing that sword around a lot. Lucky for me, Fudō Myō-ō is the patron of people born in the year of the rooster. And so I was.

Here is the Fudō mantra if you want to say it while cutting through ignorance with your sword:

なーまくさーまんだーば さらなんかん
Naamakusaamandaaba saranankan

Don't ask me how to pronounce it, I think I need more training.

Comments

Popular posts from this blog

Japan Report Seven 令和5年

I began the morning in a hurry because I had to get to the dojo early. My days in Japan are very busy. I run and gun to fit in all of the classes, recording my video reports in between. And I still have to find time for food, laundry, sleep, as well as tourism and shopping.  Today I planned three classes, Furuta Sensei, Nagase Sensei, and Noguchi Sensei. But I didn’t have time to review my notes until the next morning in a cafe. The coffee sure helped. The FULL video review can be found here: https://www.rojodojo.com/japan-report-seven-reiwa-five/ The first class was at the Bujinkan Honbu dojo with Furuta Sensei. We began class wearing a lot of knives. He said you should wear at least 9 knives. He didn’t mean that literally but the number 9 implies an infinite amount. So you have the ability to respond or attack infinitely. He kept hiding behind the attack of his opponents. I learned this approach from him a few years ago during our study of 雲隠流 Kumogakure Ryū in ...

Japan Report Six 令和5年

I was invited to Furuta Sensei’s home dojo out in the countryside. He is very generous and picked us up from the train station. The only problem is that he plays a Lady Gaga CD on repeat during the drive. Furuta’s home dojo is very rustic with traditional tatami mats. He started training with ukemi and my cotton tabi really slid across the straw! His exploration of 基本八法 Kihon Happō is influenced by his study of 雲隠流 Kumogakure Ryū. As the next Soke of Kumogakure Ryū, he is hard at work learning and studying this school. And I feel lucky to be part of this journey every time I study with him. At one point he showed a detail of how to attack the 急所 kyūsho 血止 chidome and 血ダメ chidame. The name of this kyūsho means to stop the blood. Obviously this would incapacitate an opponent if you pull it off. But Furuta Sensei used a hooking strike into chidome to unbalance with one finger. The kyūsho becomes a 支点 shiten. The pressure creates a pivot or a fulcrum to affect the oppon...

Japan Report Four 令和5年

I start off my Japan Report Four video going to Hatsumi Sensei’s house and the Bujinkan Honbu office. I do this on every trip because this is how I submit my rank paperwork for my students. In the video I talk about my “secret” route to his house. I also recall past times when I could just visit and have tea with Soke. During my walk to his house, I review some of my notes from old classes with Soke. During one class he said 自分の第六感兼ねあいうち Jibun no dairokkan kane aiuchi. This is when you make your intuition match reality. Or, more directly, your intuition is combined with something concrete such as a strike. Later in that same class, Hatsumi Sensei said 意識をさせない Ishiki o Sasenai. He was telling us not to allow our opponents to sense our intentions. Don’t put out any intention for your opponent to read. I thought it was fascinating to think about dairokkan and the use of intuition while also hiding your intentions. Hatsumi Sensei’s classes were full of subtle lessons lik...