Skip to main content

Muto Dori With Marishiten

Michael Glenn 

at 摩利支天 徳大寺 Marishiten tokudaiji


The other night in Hatsumi Sensei's class I ran to grab a bokken from the weapon rack. When I returned, my training partner was waiting for my attack so he could try the muto Dori technique that Soke had just demonstrated.

When I cut down I had a great surprise. Hatsumi Sensei appeared from behind my training partner. He pushed my training partner aside so that I was cutting at Soke instead!

I thought that I hit something but Soke was beside me laughing. Somehow I missed. He said that I should learn this feeling.

This year one of the main themes of the training in Japan is Muto Dori. Anyone who has cut at Soke will tell you that he disappears or even splits in two. 

That was what I experienced this time. It was like there were two of him. I hit one but that was an illusion. 

I've often struggled to understand the reality behind this. Even though I can sometimes do this with my own students, the act remains elusive from any explanation.

But today I was lucky. Hatsumi Sensei gave us a big clue later on in the class. He showed a knife evasion and he said to move like the heat wave from  摩利支天 Marishiten. He said this as an aside to his uke and then he moved on. 

Marishiten is a goddess I have some familiarity with. One of the very first shrines I visited in Japan was  摩利支天徳大寺 Marishiten tokudaiji in Tokyo. This place is a bit hidden in the middle of a very urban market.

Marishiten is very important for warriors and for ninja. She protects because she uses illusion to help us disappear from our enemies. In Mikkyō (esoteric Buddhism), there are mantra and mudra which are said to make a warrior invisible.

Marishiten appears like a ray of light or mirage. Her image is like a shimmering heat that bends light. Under her protection, anyone who attacks us would be blinded by illusion.

The illusion comes in rays of shimmering light. When you look, it is like staring into the sun, and Marishiten charges from within this brilliance. 

When Soke said this a subtle light went off in my brain. This ineffable feeling he wanted me to understand was now more than just an odd experience I feel when I attack him.  You have to see more than the illusion.

Maybe my training is to grasp the nature of the mirage and illusion that arises from Marishiten. This is one aspect of Hatsumi Sensei's lesson to me. But an odd side effect of this knowledge it is that I can now learn to counter this. 

The mirage of Marishiten is a type of blindness. Once you can see and pierce through this veil, what lies beyond it grows clearer. I do not know what surprises Soke has waiting for me when I see past this layer, but I suspect it will open like the lotus blossom.

Marishiten is often depicted standing on a lotus. But her more angry form is shown standing on the back of a wild boar. Hopefully I will see flowers instead of beasts!

Comments

  1. Wow, that's impressive. I've done a bit of training when I was younger... now since I'm in Japan I've been looking into a bit more and considering it, it might be a good outlet after school as it's a bit tough and I know training can certainly refine the mind, get a bit more mental fortitude to push through the hard times.

    ReplyDelete

Post a Comment

Popular posts from this blog

Ride the Tiger: Japan Report Seven 令和6年

Michael tries cola flavor Ninja gummies, a gift from 中川将志 Nakagawa Shōshi I went out to do some laundry and grocery shopping before training. Along the way, I stopped in at the bookstore to find some inspiration from Hatsumi Sensei’s painting. As I flipped through the pages, my eyes settled on a painting of 毘沙門天 Bishamonten riding a tiger. Support my work and watch the FULL video: https://www.rojodojo.com/ride-the-tiger-japan-report-seven-reiwa6/  Hatsumi Sensei gave the painting the title of 坂上 田村麻呂 Sakanoue no Tamuramaro. This historic figure was one of the first Shōgun in Japan. Legends around him grew over the centuries and he was considered an avatar of Bishamonten, a god of war, and warrior king. Hatsumi Sensei wrote some poetry from 虎倒流 Kotō Ryū on the painting. Soke said that when he visited Takamatsu Sensei, Takamatsu recited this poetry to him. The poem extols the virtues of a figure like Sakanoue, but I suspect Takamatsu Sensei was also honoring Hatsumi as h...

Japan Report Six 令和5年

I was invited to Furuta Sensei’s home dojo out in the countryside. He is very generous and picked us up from the train station. The only problem is that he plays a Lady Gaga CD on repeat during the drive. Furuta’s home dojo is very rustic with traditional tatami mats. He started training with ukemi and my cotton tabi really slid across the straw! His exploration of 基本八法 Kihon Happō is influenced by his study of 雲隠流 Kumogakure Ryū. As the next Soke of Kumogakure Ryū, he is hard at work learning and studying this school. And I feel lucky to be part of this journey every time I study with him. At one point he showed a detail of how to attack the 急所 kyūsho 血止 chidome and 血ダメ chidame. The name of this kyūsho means to stop the blood. Obviously this would incapacitate an opponent if you pull it off. But Furuta Sensei used a hooking strike into chidome to unbalance with one finger. The kyūsho becomes a 支点 shiten. The pressure creates a pivot or a fulcrum to affect the oppon...

Japan Report Seven 令和5年

I began the morning in a hurry because I had to get to the dojo early. My days in Japan are very busy. I run and gun to fit in all of the classes, recording my video reports in between. And I still have to find time for food, laundry, sleep, as well as tourism and shopping.  Today I planned three classes, Furuta Sensei, Nagase Sensei, and Noguchi Sensei. But I didn’t have time to review my notes until the next morning in a cafe. The coffee sure helped. The FULL video review can be found here: https://www.rojodojo.com/japan-report-seven-reiwa-five/ The first class was at the Bujinkan Honbu dojo with Furuta Sensei. We began class wearing a lot of knives. He said you should wear at least 9 knives. He didn’t mean that literally but the number 9 implies an infinite amount. So you have the ability to respond or attack infinitely. He kept hiding behind the attack of his opponents. I learned this approach from him a few years ago during our study of 雲隠流 Kumogakure Ryū in ...