Bujinkan Santa Monica

When I travel to Japan it seems like I race from class to class. Or, I race from train to train through Tokyo to explore the historic sites of Japan and our Bujinkan art. But here I stopped the race to enjoy training with Nagase Sensei and think about tiny insects. I slowed down for 考え事 kangaegoto with deep thoughts about a class I had with Hatsumi Sensei. He demonstrated evading an attack to the outside. Then Soke used his shoulders to support the attack briefly before dropping them. This allowed him to secretly take 子殺 ko goroshi. The opponent never saw it, but he yelped in pain. Tiny Insects Hatsumi Sensei then shared a lesson about あも一寸の玉 虫 amo issun no tama  mushi. This is a a gokui found in 高木揚心流 Takagi Yoshin Ryū. It has to do with the relationship of the strong and weak. The strong seek to control through strength. But Soke suggests we control lightly so we don’t get “stung.” あも一寸の玉 虫 painting by Hatsumi Sensei The concept of even tiny insects having a...

I titled this post Born to Fly because I sometimes feel like I am compelled to fly to Japan. It feels like a second home. But I also benefit from all of the wonderful Bujinkan training, friends and teachers there. This latest Japan Report video is accompanied by「Born to fly」from アキ SONGBIRD . When I arrived in Noda-shi for a class with Furuta Sensei, I noticed some changes. I walked to my quick bird watching spot in さざんか公園. And I saw the pedestrian bridge over 県道3号 was closed for repair or demolition. Also the パチンコマルキン (pachinko Marukin) is no more.   Class with Furuta Sensei Furuta Sensei began with a type of 打払型 uchi harai gata. He struck the opponent in 朝霞 asagasumi. But there was a hidden, hooking finger strike down into the throat. During this exchange he focused on changing levels. He used cross steps to enter and occupy space. And the “body lean” to occupy the gaps in the opponent’s kamae. He had the attacker deliver a second punch. And Furuta Sensei ...

The days and nights have become cold and crisp out in Noda. The founder of Ittō-ryū was in my thoughts during my brisk walk to the Bujinkan Honbu dojo for a class with Sakasai-san. For now, I pulled my thin jacket tight around my shoulders. There were only three of us in the dojo. Ueki-san, myself, and Rich from Florida. Sakasai said it would be his last class for the year and he would resume on the 19th of January. Despite this, tonight he covered a lot of ideas with us.  He began with 一文字 ichimonji, 十文字 jūmonji, and 飛鳥 hichō. But he combined them all into one response to the opponent’s attack. Then he did something similar using 五行の型 gogyō no kata. The attack was two punches, and then he adapted chi, sui, ka, fu, and ku to break the opponent down little by little. Next he used 生音 Seion to explore some very subtle angle shifts. No striking, and he did it without the 外掛け soto gake. He wanted us to throw through positioning alone. I found it very difficult because people...

Before I got to Gasshō, I began my morning commuting to 菊川駅 Kikukawa station. I was on my way to visit 井上刃物 Inoue Hamono. I had some questions to ask and maybe some items to purchase.  At the shop they sell Japanese woodworking tools. Their business has been around since the Meiji era. It is currently run by third and fourth generation family members 井上 時 夫 Inoue Tokio, and 井上 真 俊 Inoue Masatoshi. Some tools they sell include: 鉋 kan’na (planes); 彫刻鑿 chokoku nomi (carving chisels); 玄能 Gen’nō (hammers); 鋸 nokogiri (hand saws); and all variety of 刃物 hamono for specific use cases. They even had 尺 shaku and 寸 sun measuring squares. They also displayed a collection of cute 源氏鶴亀 墨壺 genji tsurukame sumitsubo (turtle and crane ink pots). These are used like the chalk lines that I grew up using in construction to snap lines on lumber. After running some more errands, I ended up walking to 両国駅 Ryōgoku Station. I caught the train from there all the way to Nodashi. It was...