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How to Use 精神 Seishin to Rearrange the Body

Michael Glenn visits 鬼の子の木 by 熊澤 未来子。Ichigayatamachi, Tokyo I watched as Hatsumi Sensei brought his really big, central European opponent to his knees. He did this somehow without force. Even on his knees, the guy was almost as tall as Soke. Then Soke snapped a sharp kick to a kyusho on the man’s leg. He yelped like a hurt pony. As he twisted to get away from the pain, we all saw that it was a trap that Hatsumi Sensei had set to pin the guy’s other leg. How does Hatsumi Sensei break down bigger opponents so easily? Maybe you’ve heard Hatsumi Sensei’s recommendation that we drop technique. Or not to focus on technique. Or that technique is a trap. For many people who attend a martial arts class, this seems counter intuitive. We came to class for a reason. Why would we be there if not to learn technique? Many martial artists get stuck at this level. They are happy obsessing over their technique and endless variations of it. You know the type, the ones who argue endlessly ab...

八方睨み Happonirami: Stop Staring at Me!

Daruma with 八方睨み Happonirami eyes, which way is zen? photo by Michael Glenn I grew up in the southwest United States. Where the desert sky is so big that at night you feel like you can run away from the moon. This feeling grows while driving very fast. You feel as if you are pulling away, but then you look back and the moon is following you. In Japanese there is the phrase 八方睨み happonirami, which means staring in all directions. There are many famous paintings of dragons and phoenixes with eyes that follow the viewer. Maybe you’ve seen a creepy picture like this. No matter where you stand it seems to be looking at you. Hatsumi Sensei has even painted Daruma this way. But happonirami is also a way to ward off evil. By watching in all directions, you are vigilant and can see the enemy approach. How do we do this? One key is to not look at any one thing or dwell on technique. Unfocus. One day Hatsumi Sensei told us, “Don’t look at the attack. Don’t watch it. If you try to evade, bl...

鬼角拳 Kikaku Ken Makes Me Laugh

Demon greeting in the new Bujinkan Hombu Dojo, photo by Michael Glenn The other night, I gave each of my students a Glasgow kiss. They didn’t like it. This is a slang term for a headbutt. If you subscribe to my training notes (if you aren't a subscriber yet, you miss a LOT of free Bujinkan notes), you know that we are currently studying 宝拳十六法 Hōken Juroppō in my basics class. These are the 16 striking treasures of the Bujinkan curriculum. The Bujinkan name (or slang) for headbutt is 鬼角拳 Kikaku Ken. To help everyone visualize why this strike has the name that translates as demon horn fist, I brought a small oni mask for everyone to see where his horns are located. It may even be technically correct to grimace like an oni while delivering this strike. The 鬼 Oni, or demon is not the same type of demon that westerners fear. Oni are associated with wild energy and bodily strength. They can be positive or negative. You will see many people in the Bujinkan who embody both q...

Bujinkan 妙音術 Myō-on jutsu, a Mysterious Sound in the Kukan

The old bike path to the Bujinkan hombu dojo is gone, photo by Michael Glenn Last week we were making a video of 折倒 Settō for my Bujinkan class. This is a simple Kotō Ryū kata that many have experienced. But this time the expression of it was different. My opponents were collapsing and flying away as if by an unseen force! I was fortunate to study this kata in Japan last month with more than one teacher. They were generous with the pain. Below I describe how when I did it with Hatsumi Sensei, he gave me a gift that has opened up a new understanding of taijutsu. Everyone knows that proper taijutsu is not supposed to be muscled or forced. You should drop the power out to do it well. I wrote about that here Releasing the Power of 力を抜くChikara o Nuku The key in that idea is expressing power or force, then releasing it. But the surprise for me was what Hatsumi Sensei said last month. He told us to put your intention in the kukan, then remove it (空間と退かす). Maybe you’ve heard the expres...

The Stunning Effect of 気分 Kibun in Hatsumi Sensei's Class Last Week

The lotus bearer from 金龍の舞 kinryu no mai. photo by Michael Glenn Hatsumi Sensei did not move. The attacker with the sword missed him completely. I watched the next demo more carefully. His feet literally did not move at all. Yet he was not cut. Maybe some of you have witnessed this strange event in person. If you have, you know how weird it can be when you try the same thing with your training partner. Most of us cannot repeat this. After Soke demonstrates, you try it, and you get cut every time. Or, you must leap out of the way. But never can you repeat what he did. I have seen him demonstrate this in class many times over the years. And I have to be honest, I always thought it was fake. I just chalked it up to a bad cut from the attacker. But after last week’s training, I’m not so sure anymore. Soke shared something with me personally that I did not consider when I judged the previous demonstrations. I’ll try to describe what he showed me. Here is what Soke told us that...

The Ura Side of Bujinkan Sakkijutsu

金龍の舞 kinryu no mai, 浅草寺 Sensō-ji, Tokyo. photo by Michael Glenn This is one of those Bujinkan training trips where I will be sore for the entire trip. Besides the normal beatings at the hands of my training partners, Hatsumi Sensei, Senou Sensei, Noguchi Sensei, and Nagato Sensei have all seen to it that they personally roughed me up. For members of Rojodojo, I made a video: Bujinkan Japan Training Report: Kinryu Edition   Because... Yesterday, I went to see 金龍の舞 kinryu no mai. Dance of the golden dragon. This is a rare sight… the sensoji temple also has the name 金龍山 kinryuzan. According to legend. the fisherman who founded the place saw a golden dragon swoop down out of the sky and create a forest in one night. Eight guys carry the dragon and the 9th guy carries a lotus flower. This is symbolic of the dragon's dual nature. Although the dragon is fierce while attacking, it also protects. Hatsumi Sensei has been saying the same thing for many years. In fact, on Tuesday n...

In Bujinkan Ninpo, We Live or Die with 空 Ku

Shide at 稲荷神社, 南柏 Minami Kashiwa. photo by Michael Glenn In the following account, I describe a night when I killed somebody. The intention rose up my body, filled it, and took over. Then I struck him down. He never saw it coming. Before you report me to the authorities, make sure you read all I have to say about that night. Life and death can flip in an instant. They both exist in the same moment. What separates the two? One moment you are full of life. You were born, grew up, and live with the choices you make every day. You have dreams and goals for your future. But all of your history and all of your future can be taken from you right now. Life. Death. One and the same. In our Bujinkan training, we have strategies to deal with this. I previously wrote about one of these that Hatsumi Sensei calls 過去現在未来之術 Kako Genzai Mirai no Jutsu . This is an art of existing in the moment between life and death. Life or death only happens in the present moment which is ephemeral an...